Macbeth

Roleystone Theatre presented a kilted, strong and emotive interpretation of the Scottish play, with some fresh approaches and innovative direction.

The wyrd sisters are a more modern trio, with a multigenerational coven. Penny Ramsell, Bonni Rae Bruce and Nicquelle Rhodes, each representing a different era, work well together and help to facilitate the mysterious events in the ‘past’.  

Strong performances from Joel Sammels in the title role and Melinda Sklenars as Lady Macbeth. There was a lovely truth to their performances and their relationship.

Sherryl Spencer’s Seyton was another interesting character choice, picking up a variety of the smaller roles (soldiers and porters), and merging them into a single linear role.

There were some solid, high quality performances throughout, including  Kim Martin’s casually regal Duncan, Grant Malcolm’s wonderfully appropriate casting as Malcolm and Sam Barnett’s likeable Banquo. Ben Small made a welcome return to Perth, after a long absence, as Donalbain and the Scottish Doctor.

Simon Hands conveyed great emotion as Macduff, while Bree Hartley was a lovely Lady Macduff and Lawson Sweetman earnest as their son.

Good support from Brianna Dunn as Ross, Felix Malcolm as Fleance and Andre Victor as Lennox, with Sarah Thillagaratnam, Patrick Barry, Ellie Vance and Tamika Shaw Ngai (in his theatrical debut) in smaller roles.

The set (Ellie Vance and Paul Treasure) was simple but beautifully finished, lighting (Ellie Vance) tended towards darker tones and costumes (Penny Ramsell) were appropriate. The gowns worn by Lady Macbeth, created by Julia Taylor, were beautiful. Some strong makeup choices were facilitated by Yvette Drager Wetherilt. 

It was good to see a Shakespeare production with good understanding of the text, very nicely performed.

Kimberley Shaw