Meme Girls

Ash Flanders and Stephen Nicolazzo have a significant following in Melbourne.  They are, together and individually, unique voices in the contemporary Melbourne theatre scene.  I think it is fair to say their refined yet bright and bold, very visual approach to theatre, flair and irreverence has garnered significant respect from audiences.  

Meme Girlsis beautifully crafted/directed - with set, lighting and sound exquisitely coordinated.  It looks fabulous and is lit by Katie Sfetkidis.  Designer Eugyeene Teh has woven her considerable magic to provide a set that infers numerous environments including the probing of a camera lens and perhaps the more relevant circle that is the Looney Tunes iconic signature image.  Over all Meme Girls offers a glorious loud, high camp opportunity to sit back and marvel at what can be achieved. 

However, as representations/imitations of You Tube posts, it often seems flat and without dimension. Loud, brash, relentless, and generally without the use of the reflective relief of irony, the whole seems to be about narcissism and ultimately feels indulgent and narcissistic.   

Assisted cleverly, with exquisite timing, by Art Simone who is dressed in stunning drag, Ash Flanders goes through transformations on stage to portray various fragile characters.  But most of the women vaguely realized by Flanders tend to morph and fade into each other. They are not adequately integrated as individuals and there is starkness in their portrayal that borders on bland stereotype.  Perhaps it was the result of first night nerves and as Flanders relaxes into the show he will access the feminine with more veneration, joy, enjoyment and definition.

There are at least two opportunities for sensitive and poignant explorations of women finding themselves in difficult and baffling circumstances.  However when rendered as unadorned imitation in a matter of fact way both, intimate revelations, lack dimension and soul.  Perhaps a clearer definition between performer and character or more thorough characterization would add texture and liberate meaning.

The whole is microphoned with enough amps to reach into the corners of a noisy nigh club and certainly supports Flanders ultimately rich and agreeable singing voice. 

Sadly I am left with little idea of what the creators are trying to communicate with this slick but lightweight work except perhaps a capacity to bring all elements of theatre together to create a visceral event that does not require interrogation.

Suzanne Sandow

Direction – Stephen Nicolazzo

Set & Costume Design – Eugyeene Teh

Lighting Design – Katie Sfetkidis

Sound Design &Composition – THE SWEATS

Cast – Ash Flanders and Art Simone

Stage Manager – Lisa Osborn

Photographer: Pia Johnson