The Innocent Pawn

Written and directed by Amanda Crewes. Actors Hub. Fringe World. The Actors Hub Studio, Kensington St, East Perth, WA. Jan 23-Feb 14, 2020

The Innocent Pawn plays as part of the Actors Hub’s 4x4x4, which features 4 different plays, presented over 4 nights each week, over the 4 weeks of Fringe World. The Innocent Pawn is an examination of porn culture and its influence on society. First performed in August last year, it returns for an encore season for Fringe World.

Rehearsal for Death

Created, directed and performed by Rebecka Stuart and Sophie Thompson. La Mama Courthouse, Carlton. 6 – 9 February 2020

Rehearsal for Death is a dance work that enacts a circular journey to the inevitability of death.  In this hour-long presentation, there are at most a dozen spoken words, ‘Shall I jump?’ and ‘You are going to die’ among them.  It begins with two dimly lit figures.  Their stillness and their posture suggest corpses.  They come to life – reluctantly – and drag themselves into the light… We come out of darkness and we return to it.  

Leopard Print Loincloth

By Jake Stewart. Theatre Works and Kissing Booth. Midsumma Festival. Theatre Works, St Kilda. 4 – 8 February 2020

As the blurb for this show has it, ‘There’s something about a room when there’s only men inside it.’  Well, that’s certainly true.  The characters here, anyway, are young, many are teenagers.  Leopard Print Loincloth is a depiction of a variety of contemporary Australian masculinity.  It is made of a series of sketches and vignettes.  There is no narrative as such.

The Deep Blue Sea

By Terence Rattigan. Sydney Theatre Company. Roslyn Packer Theatre. Feb 4 – Mar 7, 2020

Terence Rattigan wrote this once searing domestic portrait of class, shame and lost love reportedly after the suicide of a male lover.  The play however centres on a suicidal woman who leaves her marriage to a judge, only to be abandoned by her alcoholic lover; it was a West End hit in 1952, and beyond.

Rattigan, later Sir Terence, shows himself a master of dialogue and slowly unfolding plot in this neat three-act story, as over one day a host of characters parade through Hester Collyer’s crummy London flat. 

13: The Musical

Music and Lyrics by Jason Robert Brown. Book by Don Elish and Robert Horn. Spotlight Theatre, Benowra, Gold Coast. Director / Choreographer: Hannah Crowther. February 7 – 29th, 2020

Spotlight’s production of 13 is the result of their senior youth theatre class holding a three week intensive workshop during the school holidays and the cast and crew (under the guidance of a few adults) are responsible for a fantastic show!

What a great idea to introduce young people into all the workings of a major production and have them own the end result.

This type of training can only happen when everyone is dedicated and working to produce a show that they can all be proud of.


Book by Thomas Meehan, music by Charles Strouse, lyrics by Martin Charnin. Wanneroo Repertory. Directed by Katherine Blower. Limelight Theatre, Civic Dev, Wanneroo, WA. Feb 6 - 22, 2020

Despite being one of the most frequently performed community theatre musicals, Annie continues to be incredibly popular, with only a handful of seats remaining for Wanneroo Repertory’s production.

Aladdin the Pantomime

DAPAK and Kelete Studios. Directed by Kelly Mattravers. Phoenix Theatre, Memorial Hall, Spearwood, WA. Feb 8-9, 2020

Aladdin the Pantomime, presented by DAPAK and Kelete Studios, features a cast of 16 performers who live with disabilities including Autism, Cerebral Palsy and Down Syndrome. A joyous celebration of performing, it is a pleasure to watch.

The Beep Test

Music and lyrics by Conor Neylon, book and lyrics by Jackson Peele. Fringe World. Directed by Jackson Peele, musical direction by Conor Neylon. The Gallery at Paper Mountain, William St, Northbridge. Feb 4-8, 2020

Capacity audiences have been joining 7C and their Physical Education teacher as they complete the Beep Test, in this relatively new musical by Conor Neylon and Jackson Peale.

A huge challenge for the performers, who spend much of the show extremely active and working up very realistic sweat, this short musical is a funny and sweet little surprise package, with endearing characters and a clever storyline. A lovely little twist in the tail takes this show to another level.


By Karul Projects. Playhouse Studio 1, Queensland Performing Arts Centre (QPAC). 5 to 8 February, 2020

Witnessing First Nations contemporary dance is always exciting. This month, QPAC debuts a double bill – mi:wi and CO_EX_EN – works by fresh Queensland company, Karul Projects, whose co-artistic directors, Thomas E.S. Kelly and Taree Sansbury, also perform in the pieces. The group is all about enlightening and enriching contemporary culture and identity by bringing past First Nations stories into the present. In indigenous language, ‘mi:wi’ means ‘inner spirit’ or ‘stomach’.

New Balance

By Christopher Bryant & Emma Palackic. Performed by Christopher Bryant. Directed by Emma Palackic. Theatre Works and Before Shot Productions. Midsumma Festival. Theatre Works, St Kilda. 4 – 8 February 2020

Here is an hour-long monologue performed with such directness and honesty that it compels attention.  Christopher Bryant, simply dressed as if he’s at the gym or about to go on a run, confides in the audience with an account, from various sources, of growing up gay.  Sometimes tentative, sometimes challenging, it’s part autobiography, part anecdotes from other sources; the show questions whether there is (to quote the program note) a ‘universality in the particulars of our [queer] experiences.’

To keep up with the latest news and reviews at Stage Whispers, click here to like us on Facebook, or follow us on Twitter.