Reviews

The Importance of Being Earnest

By Oscar Wilde. Adapted by Jon Haynes, Jude Kelly & David Woods. Merlyn Theatre, The Malthouse, 113 Sturt Street, Southbank. 14 February – 8 March, 2020.

The ingenuity in this production of Wilde’s most famous farce is not in its re-interpretation of the text but in its capacity to fully expose all the underlying allusions. Jon Haynes and David Woods, renowned for their comedy work with the independent theatre company Ridiculusmus, set themselves an almost impossible task. The two comedy actors take on all the parts in the play, executing some very demanding and often challenging costume and character changes. The result is hilarious, enthralling and induces side-splitting laughter.

Once Upon A Fractured Fairytale

By Joondalup Entertainers Theatre School. Directed by Ros Boyer. Musical direction by Chelsea Gibson. The Big Top, Woodside Pleasure Garden, Russel Square, Northbridge, WA. Feb 8-16, 2020

Once Upon A Fractured Fairytale was written and performed by 10-18 year old students of the Joondalup Entertainers Theatre School, and is a bright and complex story of fairytale characters gone awry. 

Tartuffe

By Moliere, adapted by Liz Lochead. Adelaide Fringe. Ed Littlewood Productions, in assoc. with Holden Street Theatres, Royal Lyceum Theatre Edinburgh & Stephen Dunn Theatre Fund (UK). The Arch, Holden Street Theatres. 18 Feb-15 March, 2020

Moliere’s Tartuffe (or The Hypocrite) was first performed in Paris in 1664 and was one of Moliere’s most successful as well as controversial plays. Subsequently, it is now regarded as one of the greatest ‘classical’ comedies with a relatively constant performance history throughout the world over the past four hundred-odd years.

The Gods, The Gods, The Gods

By Phil Grainger (Music) & Alexander Wright (Lyrics). The Flanagan Collective, Gobbledigook Theatre (UK) and Hartstone-Kitney Productions. Black Box Theatre, Adelaide Botanic Gardens. 18 Feb-14 March, 2020

The Gods, The Gods, The Gods is the thrilling third installment about classical myths by The Flanagan Collective & Gobbledigook Theatre (UK), who have previously wowed Adelaide audiences with their brilliant versions of Orpheus and Eurydice. This time their focus is on the classical Gods themselves, a collection of dubious creatures whose place and meaning in the modern, as well as classical world is brought into question.

Hayley Sugars: Songs of Desire

Part of Opera Queensland’s Intimate Concert Series. Conservatorium Theatre, Griffith University, South Bank. Friday, February 14, 2020

Hayley Sugars sets out to tell the truth about love in her intimate Opera Queensland recital that kicked off on Valentine’s Day, and it was not all easy listening.

Using her own words as well as those of the masters, she sang her way through tales of first love, secret love, unrequited love, lost love and doomed love.

Josephine

Adelaide Fringe. Dynamite Lunchbox and Hartstone-Kitney Productions. Black Box Theatre, Adelaide Botanic Garden. February 14 – March 1, 2020.

Josephine Baker had a hit with “J’ai deux amours, (mon pays et Paris)” in France. It says a lot about how this dancer, chanteuse and cause célèbre felt about her place in the world. Born in St. Louis in 1906, Baker arrived in Paris in 1925 to appear in La Revue Nègre.

The Rad Pack

Adelaide Fringe. Presented by Michael Coumi. The Top pf the Ark. 16th and 20th February, 2020

The Rad Pak is billed as “A sophisticated lounge act with some of Adelaide's best entertainers, paying tribute to the Rat Pack era”.

Playing in the Top of the Ark at the Arkaba hotel, an enthusiastic crowd gathered on a Sunday afternoon to hear three crooners pay homage to the sophistication and songs of the original Rat Pack.

2 Cats Drove Into The Cuckoo's Nest

Adelaide Fringe Festival. Upstairs @ The Histo. Feb 17 – 26, 2020

Ralph Hadzic and Steve Davis are not your average ‘cats’. Former ‘Fat Cat’ performer, Hadzic and Davis, aka ‘Mr Squiggle’, a name bestowed after the 2019 Fringe, have developed a one-hour show that is rather like a talking diary of memories, reminiscences and personal encounters.

Made up of two distinct parts that intersect when Davis and Hadzic head off to Los Angeles to interview and record a range of celebrities, it is a very different, warm and gently funny style of Fringe show.

Jordan Anthony. This Is Me!

De Parel Spiegeltent, Woodside Pleasure Gardens, Russel Square, Northbridge, WA. Feb 15-16, 2020

Jordan Anthony is a fifteen year old Perth musician who had an epic 2019. The youngest male in the eighth season of The Voice, Jordan, the final competitor in Team Delta, reached the Final 4 in the competition. Later in the year, the Australian Broadcasting Corporation selected Jordan as Australia’s representative in Junior Eurovision. Jordan performed for Australia in Poland last November.

Through Tim Burton’s Eyes

Fierce Entertainment. Directed by Jasmine Stewart -Yates. Camelot Theatre, Mosman Park, WA. 16 Feb 2020

Through Tim Burton’s Eyes was a dance cabaret tribute to the films of Tim Burton. It played for a single performance on the final night of FringeWorld.

Performed in front of AV images from Burton films, we saw a range of dance genres from performers Jasmine Stewart -Yates, Ashlee Morehead, Bobby Stewart -Yates, Jacinta White, Natalie Leisfield, Jennifer Collins, Lauren Page and Vanessa Johnson. Featuring some quirky and innovative choreography, the dancers had some strong technical skills, although timing in group numbers wasn’t always perfect.

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