Reviews

A Night to Remember: The Ghetto Cabaret

Written & Directed by Galit Klas. Dramaturg Evelyn Krape. Musical Director Tomi Kalinski. Design Yvette Coppersmith. Presented by The Kadimah & the Jewish Holocaust Centre. The Kadimah, Elsternwick VIC. 15 – 25 June 2017

It’s 1941.  A Jewish ghetto somewhere in Eastern Europe.  A famous example (there were a thousand ghettos): the Warsaw Ghetto - four hundred thousand Jews packed into three and a half square kilometres.  In the face of constant fear of execution, deportation, mistrust of their own Nazi-approved leaders, their Judenrat (Jewish Council), hunger, the stench of bad sanitation disease and simple, straightforward despair, ‘culture’ - art, music, literature and theatre continues – must continue.

Midwinter Murders

“Murder at Hogwarts” (A Harry Potter murder mystery). Bakehouse Theatre, Adelaide. Season 8th June- 27th July 2017, weekly.

I have always been a fan of improv theatre, having spent much of my youth playing theatresports, but combine this with Harry Potter and you’ve got to be on a winner.

Sunset Strip

By Suzie Miller. The Uncertainty Principle, Griffin Independent. The SBW Stables Theatre, Sydney. Director: Anthony Skuse. 14 June – 1 July 2017

Everything in Suzie Miller’s new play is not what’s expected. For example, it’s title. Sunset Strip, the name of the holiday spot where Ray brought up his two girls, Phoebe and Caroline, is now a dust bowl, the lake completely dried up. Audiences should approach the action, the characters and everything they say with utmost caution.

1984

Adapted & Directed by Robert Icke & Duncan Macmillan. Based on the novel Nineteen Eighty-Four by George Orwell. GWB Entertainment, Ambassador Theatre Group Asia Pacific, State Theatre Company of South Australia, present the Headlong, Nottingham Playhouse, Almeida Production. Lyric Theatre, QPAC, Brisbane. 14-18 Jun 2017 (later Sydney, Canberra, Perth).

This UK production by Robert Icke and Duncan Macmillan is brilliant in its adaptation and brilliant in its execution. George Orwell’s prescient dystopian future depicted in his 1949 novel has proved to be horrifyingly accurate in many societies since it was written and even more so today in an age of the internet and revelations about secret surveillance.

The Forwards

Written and directed by Stefo Nantsou. Presented by Brisbane Powerhouse, Shock Therapy Productions and Zeal Theatre. Visy Theatre, Brisbane, Qld. June 14-24, 2017.

Like many in the arts, I don’t care for sport and I live in the city. So I wasn’t expecting to connect with a show about an AFL final in a small town. Yet there I was on opening night, enthralled by the energetic, entertaining and electrifying story of the ‘Pintoon Parrots’ and their struggle to attain grand final glory. At first, the story appears lighthearted, but like all country towns, you just have to scratch the surface to find the tragedy bubbling beneath.

Out of Earshot

KAGE. Director: Kate Denborough. Adelaide Cabaret Festival. Dunstan Playhouse. 14/15 June, 2017.

To promise patrons that they “will never experience music the same way again” is to set up your show with some mighty big shoes indeed. Can Out of Earshot possibly fill them? Could any show?

Djuki Mala

The Studio, Sydney Opera House. June 13 – 18, 2017

On their 10th anniversary, the Chooky Dancers from NE Arnhem Land, now renamed Djuki Mala, are back after a run of national and overseas touring. They started off with that infectiously funny spoof of Zorba, created apparently as a sincere indigenous thank you to a Greek woman up in their country of Elcho Island – it then went viral to millions on YouTube.  

I Love You Now

By Jeanette Cronin. Darlinghurst Theatre Company Production. Director: Kim Hardwick. Eternity Playhouse, Sydney. 9 June – 9 July, 2017

Jeanette Cronin writes plays for two people in which she, a terrific, incendiary actor, portrays The Woman, stripped bare and revealed. This is often enough for certain Sydney audiences who couldn’t care less what her plays are actually about.

Greenwicks

By James Marzec and John McPherson. Wanneroo Repertory. Directed by James Marzec. Limelight Theatre, Wanneroo, WA. June 7-17, 2017

This production of Greenwicks is the second incarnation of a script written by James Marzec and John McPherson, first performed at the University of Western Australia in 2009. Filled with vibrant music, this is a show that is a lot of fun.

Set in a supermarket, the plot is a little unlikely, some jokes remain a little too “student humour” and others don’t quite land, but overall this is funny, the characters are very nicely created and the songs are outstanding.

Dianne Reeves

Adelaide Cabaret Festival. Her Majesty’s Theatre. June 12, 2017.

Dianne Reeves is a jazz ‘legend’, winner of five Grammy awards, and has just turned 60, which she amusingly and poignantly reflected on in her show. This was the first time Dianne Reeves had performed in Adelaide.  Her show, two hours of wonderful ‘smooth jazz’, was the first in a series of concerts by acclaimed international cabaret artists that is one of the main features of the year’s Adelaide Cabaret Festival.  Other artists include Alan Cumming and Michael Feinstein.

Subscribe to our E-Newsletter, buy our latest print edition or find a Performing Arts book at Book Nook.