Reviews

The Mystery of Edwin Drood

By Rupert Holmes. Bankstown Theatre Company. Olympic Parade Theatre, Bankstown. July 25 to August 3, 2014

Charles Dickens’ final, unfinished novel gets a different ending each night in this rollicking music hall style entertainment, a Tony Award winning show-within-a-show musical.

Because Dickens didn’t complete his novel, each audience gets to vote for the evening’s murderer, detective, and pairing of lovers. It’s a delightful twist on the musical theatre form.

Glory Dazed

By Cat Jones. Directed by Greg Carroll. Red Stitch Actors Theatre (Vic). July 23rd – August 23rd, 2014

With yet another triumph from Red Stitch, Director Greg Carroll gives us a totally satisfying realisation of Cat Jones’ powerful short play about the emotional “Casualties of War” – this time the Afghanistan conflict. He has an exceptional cast and creative crew to work with, but it’s Carroll who seamlessly pulls it all together.

The Importance of Being Earnest

By Oscar Wilde. State Theatre Company S A. Dunstan Playhouse. July 25-August 16, 2014

Oscar Wilde sub-titled the high farce that is The Importance of Being Earnest as A Trivial Comedy for Serious People. Well, there’s nothing trivial about its enduring capacity to delight audiences and this continues to be true with the State Theatre’s current Adelaide production of Wilde’s 1890’s classic.

White Porcelain Doll

Prying Eye Productions. Judith Wright Centre of Contemporary Arts (Qld). 26 July – 2 August 2014

New contemporary works often make their way onto the art scene amid acclaim and savage criticism. This one breaks with convention – it is neither an installation nor an art work to hang in a gallery. A cross-arts performance piece, it embraces music, movement, theatre, lighting, sound and video arts. This is 3D tragic silent performance.

The Great American Trailer Park Musical

By David Nehls and Betsy Kelso. Roleystone Theatre, WA. Directed by Lorna Mackie, Musical Direction by Krispin Maesalu. July 18 - Aug 9, 2014

I had the pleasure of seeing a matinee of The Great American Trailer Park Musical. Given that the show is recommended for mature audiences and contains adult themes and language, the usual matinee crowd was a little depleted and the smaller audience was supplemented by 'actor types' catching the matinee between their own shows. Despite the small (and intimidating) crowd, the actors worked the audience deftly band the cheers and whoops in response to the performance were genuine and well-deserved.

Annie

Music by Charles Strouse. Lyrics by Martin Charnin. Book By Thomas Meehan. Gosford Musical Society. Director: Jillian Logan. Musical Director: Maryellen Gillard. Choreographer: Danielle Hochkins. Set Designer: Daryl Kirkness. Laycock Street Theatre, July 25-August 9, 2014

There's no doubt about it - Annie is one of those shows that just keeps coming back around. It's a perfect show for community theatre with it's large, all-age cast. It's a simple, warm-hearted and seemingly timeless story of an eternally optimistic little girl who wins the heart of the curmudgeon. Being that it's a show that keeps on coming back around - the challenge for any director is to keep it fresh and fun for new and old audiences alike and the only way to do that is to cough up a truly polished production and GMS has come up with the goods here.

Bartleby

By Julian Hobba, after Herman Melville. The Street Theatre, Canberra. 26 July – 3 August 2014

Herman Melville’s 1853 short story “Bartleby, the Scrivener: A Story of Wall-street” tells of a subdued law copyist, or scrivener, who, after several days of hard work in a law office, withholds all cooperation, responding with little more than “I would prefer not to”.  The tale is somewhat unsatisfying in failing to reveal a credible cause of the conflict and so being unable to resolve it.

 

The Wizard of Oz

By L Frank Baum. The John Kane revised version based on the 1939 movie. Redcliffe Musical Theatre (Qld). Redcliffe Cultural Centre. July 25 – August 10, 2014

This company prides itself on uncompromising professional training. So, one gets the impression the Moreton Bay area in Queensland breeds disproportionate numbers of musical theatre stars.

This show, with its 90-strong cast (70 below 16 years of age) cements the RMT reputation. The experience provided here is invaluable experience of a fully professional nature for these youngsters (all of whom, I should add, acquit themselves admirably).

Morning Sacrifice

By Dymphna Cusack. Javeenbah Theatre Company, Nerang, Gold Coast. Director: Jim Dickson. 25th July – 9th August, 2014

Sydney 1938: the education system and teacher/student expectations were quite different to the present day. Morning Sacrifice is based on the actual experience of the playwright.

Jim Dickson’s production took us into the Staff Room of a respectable school for young ladies and introduced us to idiosyncrasies and malicious snipes of women divided in their

ideals and views on punishment and the place of young girls in society. The atmosphere was cold and uninviting.

Don Giovanni

By Mozart. Opera Australia. Joan Sutherland Theatre, Sydney Opera House. July 25 – August 30, 2014.

Teddy Tahu Rhodes and Shane Lowrencev bring an enormous amount of energy and comic relief to this rather dark and gloomy production of Mozart and Da Ponte’s musical morality tale. As Don Giovanni, Rhodes is everything the infamous rake should be: seductive, ruthless, manipulative, cruel … and terribly attractive!

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