Scrooge the Musical

This was the second stage-version of Dickens' A Christmas Carol that I saw within days. Although family-friendly, this was not a production that shied away fro the darker themes, while still allowing for light and fun.

Barry Park was an excellent choice in the title role. Strangely likeable, even when being mean and miserly, he was an excellent protagonist who trod this character tight-rope beautifully.

Some lovely ghostly manifestations in this production, with Grant Malcolm a repentant but unnerving Joseph Marley, Matilda Jenkins a beautiful ethereal and caring Ghost of Christmas Past and Nelson Clemente a jovial and flamboyant Ghost of Christmas Present - all singing very nicely. Great support from a silent but imposing Ghost of Christmas Future (Grant Malcolm again) and a ghostly ensemble.

Craig Menner made an amiable Bob Cratchit, nicely matched with Hayley Grant (Mrs Cratchit), Atira Shack (Martha Cratchit), Tahlia Menner (Belinda Cratchit) and a sweet Orlando Borg (Tiny Tim).

Scrooge’s employees, Thomas, Richard and Harold, were played with tight teamwork and some lovely song and dance by Blake Jenkins, Cooper Jenkins and Ashley Garner.

Lots of grea work in the smaller roles, including George O’Doherty’s youthful and earnest Fred. The ensemble, despite (or perhaps because of) having many very youthful members, was tight, well-drilled and always acting.

Costumes were generally very nicely chosen, and the set was solid and effective. Lighting, designed by John Woolrych (and operated by Ian and Nina O’Doherty) was particularly striking, with some lovely creative moments and sound was well-balanced.

A very solid production pf a beloved classic story, and a warm, feel-good way to end the year for Old Mill. Well done to all involved.

Kimberley Shaw