Shrine

A successful directorial debut for Kayti Murphy, as she steers this beloved Western Australian play to a successful production at Melville Theatre, with obvious passion and drive.

A rather dark story, director and cast manage to find moments of light, in a production that showcases some strong performances. The audience do find that they need to listen carefully, as voices can be a little soft or “filmic”, especially when competing with the air conditioning. A challenge, as it is often a very reflective show.

Phil Barnett, always a strong reliable performer, leads the cast as bereaved dad Adam, unable to cope with the loss of son Jack at the wheel of a car. He is nicely matched, albeit rarely interacting, with Suzannah Churchman as wife Mary - in a harrowing, emotionally raw performance.

Jessica Brooke makes a very impressive stage debut as June, an outsider with a lack of confidence, whom unbeknown to his parents had developed a relationship with Jack - a performer to watch

Jack is played by Christopher Colley, who has a remarkable ability to be centred. His unlikeable companions are played with strong camaraderie by Alec Federer (Will) and Jacob Lane (Ben).

The set handles the tricky multiple locales required well, and strong lighting choices by Ginny Moore Price add atmosphere and emotion. Kayti Murphy’s sound design is appropriate and well chosen.

Not an easy show to watch, as it deals with strong emotions, grief, sexual assault and betrayal, but if appreciate being emotionally moved and enjoy good West Australian storytelling, this is a great choice.

Kimberley Shaw