Sweeney Todd

Dark, massive sets, moved by the backstage crew in costume, allow the action to flow in this spectacular production. Steep staircases on both sides provide multiple levels and entrances. The lighting is effective.

For me the highlight was the Mrs. Lovett of Antoinette Halloran. Though the role is often played by an older woman, there is no reason why it should be, as she should be of similar age to Sweeney, though his hard life would mean he could look much older. She was very funny and sexy, but was also tender in her scenes with Tobias.

Teddy Tahu Rhodes should have been the ideal Sweeney Todd. His dark menacing voice and towering presence clearly conveyed the anger of this wronged man, but little of the anguish. Even when he found he’d killed his wife, we still didn’t feel his pain, and his New Zealand accent was out of place.

Blake Bowden and Amelia Berry were a delightful pair of young lovers, singing the complicated music beautifully. Ross Hannaford was a touching Tobias.

Kanen Breen, looking like Snape from the Harry Potter films, was a very funny Beadle, and appropriately menacing when required. Phillip Rhodes as the Judge found the tessitura a bit low but did well. Dimity Shepherd was a suitably depraved mad Beggar Woman and a constant disturbing presence. David Rogers-Smith did well as Pirelli, but I didn’t see the need for him distorting his top notes.

Phoebe Briggs was in control of the orchestra and the music was tight. The ensemble singing was strong and thrilling. As it was opening night, it was perhaps to be expected that some microphones cues were late.

This short season deserves to be sold out.

Graham Ford

Photographer: Jeff Busby