Thoroughly Modern Millie

In the last few years, it has become a tradition for the Western Australian Academy of Performing Arts to present a major musical mid year at Subiaco's Regal Theatre. I believe that Thoroughly Modern Millie, is the best so far.

Showcasing the talents of WAAPA students both on and off stage, in design and in the pit, the show augers well for the future of music theatre Australia wide.

Emily Hart shone in the title role. Confident and sassy, she has a beautiful voice, is lovely to watch and owned the role. As Jimmy Smith, the leading man, Clay Roberts, was charming and lovable, an exquisite dancer with another gorgeous voice.

Particularly impressive were the young actors playing the more mature roles. Bobbie-Jean Henning demonstrated a wonderful comic flair as villainous Mrs Meers, while Jessica van Wyk was a beautifully mature Muzzy Von Hossmere. Libby Asciak was very different in her three roles - the ill fated, awkward Ethel Peas, jaded spinster Miss Flannery and acid tongued Dorothy Parker.

Jack O'Riley made Trevor Graydon appropriately desirable, while innocent-young-thing Miss Dorothy Brown was brought sweetly to life by Laura Johnston. Bun Foo was well played by Sean Miley Moore and romantic Ching Ho was earnestly portrayed by David Ouch. Strong minor characters and ensemble kept the action moving quickly and musical execution was superb.

The set evoked 1920s New York, with industrial overtones and interesting use of genuine props. Wonderful Costumes, designed by Sally Phipps were fun, with beautiful use of colour. The huge crew had obviously worked with beautiful synchronisation as lighting and technical was near faultless, with only questionable sound balance in the opening number (which was quickly rectified) and delayed surtitles suggesting that this was the first performance in a foreign venue.

The capacity crowd was delighted with this excellent production.

Kimberley Shaw

Photographer: Jon Green

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