Reviews

Into the Woods

By Stephen Sondheim and James Lapine. Playlovers. Directed by Alex McLennan. Tricycle Theatre, Mt Lawley, WA. Jan 18-27, 2024

Perth’s community theatre year opened with a bang with Playlovers’ well directed, dynamically performed, youth production of Into the Woods Jr. at the Tricycle Theatre, in Mt Lawley Senior High School.

Neil Gaiman and FourPlay String Quartet

Hamer Hall, Arts Centre Melbourne. January 18, 2024

Last night I attended the one night only performance of British writer Neil Gaiman, accompanied by Australia’s electric string quartet, FourPlay. My daughter is a huge fan of Gaiman, which is what led me to reviewing the show. My only familiarity with Gaiman’s work is the film Coraline, which was adapted from Gaiman’s novella. 

Malevo

Created by director, choreographer, and dancer Matías Jaime. Sydney Opera House, Concert Hall. Jan 17 – 21, 2024.

This exhilarating all-male Argentinian company of dancers and drummers look equally excited with the standing ovations for their Australian debut at the Sydney Opera House.  

What would the old gauchos/cowboys have thought, who first developed these traditional folk dances (Malambo) around remote fires out on the Pampas grasslands two centuries ago?  

Tiddas

By Anita Heiss. Sydney Festival 2024. Directors: Nadine McDonald-Dowd and Roxanne McDonald. Belvoir St Theatre. 12-28 Jan, 2024

The co-directors of this warm, honest play explain that “Tiddas is a shared Aboriginal word for sisters,” women who have grown together bound by friendship, love, and years of shared experiences. They explain the importance of women in Aboriginal culture as “the backbone and heart of our ways … no matter the changing world around us”.

Are we not drawn onward to new erA

By Ontroerend Goed. Sydney Festival. Ros Packer Theatre. January 17 – 20, 2024. Then Perth Festival, Feb 21 -25.

You’ve never seen anything like this before.  The stage opens with a small tree planted in some dirt.

In an allegory to Adam and Eve, there is an apple in the tree, which a male character plucks and offers to a woman. They speak sparingly, but it is in a kind of gibberish that has a Scandinavian feel to it.

The Lonesome West

By Martin McDonagh. Director: Anna Houston. Empress Theatre Company. Old Fitz Theatre. 13 Jan – 4 Feb, 2024

The Ireland Martin McDonagh depicts in his two Irish trilogies is not a happy place, especially the town of Leenane in County Galway where The Beauty Queen of Leenane, A Skull in Connemara and The Lonesome West are set. Rather than the pretty images tourists see of cottages nestling on the northern edge of Killarney Harbour, the village McDonagh paints is a place of bleakness and dysfunction.

All the Rest

By Finn McGrath. Theatre Works, St Kilda. 16-20 January 2024.

‘All the rest…’ of what?  There are those who are talented… and all the rest.  Or there are those who get a lucky break and… there’s all the rest, who didn’t.  Or there are those who are confident and pushy and make the right connections and… all the rest.  Talent - let alone ‘originality’ - may have little or nothing to do with it.  It’s not who you know, it’s who knows you. 

Ode To Joy (How Gordon got to go to the Nasty Pig Party)

By James Ley. Stories Untold Productions & James Ley. Sydney Festival. Bell Shakespeare, The Neilson Nutshell (The Thirsty Mile). 16 – 21, Jan 2024

This Scottish trio brings to the Sydney Festival outrageously gay, obscene fantasies of joyous group sex, without ever taking off their clothes. 

They’re aiming for a monster sex pig party in Berlin and their training and backside ambitions are given agile and hilarious description. The action is played at such hysterical speed, volume and endearing Scottish accents, that it’s a thrill just keeping up. A printed glossary of gay slang for the chemicals and sex acts certainly helps.

Love Letters

By A.R. Gurney. Genesian Theatre. Director Richard Cotter. 13-28 Jan, 2024

When A.R. Gurney described his play Love Letters as needing “no theatre, no lengthy rehearsal, no special set, no memorisation, and no commitment from its two actors beyond the night of performance”, he failed to explain what actors and directors could do with this unusual script.

Masterclass

Brokentalkers and Adrienne Tuscott (Ireland). Sydney Opera House, Drama Theatre. Jan 12 – 16, 2024.

With just two armchairs and a pot-plant, it starts as a talkshow. A starstruck nerd interviews a self-satisfied writer infamous for his minimal and cliched female characters, the misogynist violence of his stories and his own abusive behaviour backstage. The pursuit of Truth, says our great male artist, is the only contest.

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