Reviews

The Drover’s Wife

By Leah Purcell. Belvoir in association with Oombarra Productions. Belvoir Street Theatre. September 17 – October 16, 2016.

Leah Purcell here ambitiously reworks Henry Lawson’s famous 1893 short story about the drover’s wife left alone in the Alpine country to fend for her children.  The biggest action in Lawson’s yarn was the snake in the woodpile; Purcell paints a far broader canvas.

Switzerland

By Joanna Murray-Smith. Melbourne Theatre Company. Southbank Theatre, The Sumner. September 17 – October 29, 2016

Set in the home/retreat of the best-selling author of The Talented Mr. Ripley - Patricia Highsmith - in Switzerland, this two hander opens with Highsmith attending to the not unexpected, nor particularly welcome, intrusion of a young visitor from her publisher’s office in New York.  To begin with she is an unyielding host to a vulnerable guest but tables turn and turn again.

Elixir

Head First Acrobats. Seymour Centre. Sydney Fringe. September 20 – 24, 2016

Humour, intrigue, incredible talent, skill, physical theatre and dance feature in Head First Acrobats’ mesmerising production of Elixir at the SeymourCentre, part of the Sydney Fringe festival 2016.

Head First Acrobats is comprised of three graduates from NICA, Australia’s circus school, Callan Harris, Thomas Gorham and Rowan Thomas. Together they create a show that exhibits physical theatre, dance, circus skills and comedy.

Twelfth Night

The Company Theatre Mumbai. OzAsia Festival. Ukiyo Tent, Elder Park (SA). September 23 and 24, 2016

Twelfth Night is Shakespeare’s final ‘Elizabethan comedy’ and has remained popular with audiences world-wide since it was first performed in London in1602. It is a tale about the appetite of desire for possessions, food and drink as well as love. In it, Shakespeare placed various comic devices he had previously used as early as The Two Gentlemen of Verona and The Comedy of Errors, namely mistaken identity and a young woman disguising herself as a man.

Breadcrumbs

Performed by Tim Quabba. Melbourne Fringe. Belleville, Globe Alley. Lighting and Sound by Zach Navarre. 26 September -1 October, 2016

Tim Quabba delivers an improvised stream of consciousness performance within the conceit of a dream. He takes cues from sound and lighting changes and the subtleties of audience reactions and creates characters and small narratives from them. We were presented with The Father, Alberto the dog, Fidel the eagle, a young couple contemplating love messages in the sky and the obsession of the age – data.

Black is the Colour

By Daniel Keene. Deafferent Theatre. Director – Jessica Moody. Arts House – North Melbourne Town Hall – 24 September – 1 October 2016

This is an awesome first production by Deafferent Theatre.  It is a wonderful opportunity for Deaf and hearing friends to come together to experience dialogue and interaction in Auslan performed by two expressly engaging and consummate performers.  Their work is crisp and vibrant and clearly supported with captions. 

BEASTLY

OzAsia Festival. Tutti Arts (Australia) & Stepping Stone (Malaysia). Riverdeck, Adelaide Festival Centre. 22 September – 1 October, 2016

BEASTLY is a truly wonderful ‘free’ event and is perhaps unlike anything else in the current terrific OzAsia Festival. It is an interactive installation art project as well as offering pieces of performance art. I am a big fan of installation art works, especially if they are interactive. It is in these cases that one becomes an active member of the audience rather than passive. From experience, there is always an initial sense of confusion that invariably leads to a form of experiential clarity and insight.

World War T

Written & directed by Blair Moro. An International Collaboration presented by Singles Awareness Productions. Melbourne Fringe Festival. Courthouse Hotel, 86-90 Errol Street, North Melbourne. 24-27 September 2016.

Attacking Donald Trump is like shooting fish in a barrel.  Crass, ignorant, lying, racist, misogynist...  Yeah, yeah.  A sitting duck.  Nevertheless, we’re all obsessed and afraid: this crazy could become the most powerful man in the world.  Given that there’s not much Australians can do about it, maybe the best thing is to laugh.  That’s what this show does – with heaps of energy, verve, slapstick, sly insight and occasional wit. 

Nice Work If You Can Get It

Music: George Gershwin. Lyrics: Ira Gershwin. Book: Joe DiPietro inspired by material by Guy Bolton & P.G. Wodehouse. Savoyards Musical Comedy Society. Director: Sherryl-Lee Secomb. Musical Director: Geoffrey Secombe. Choreographer: Desney Toia-Sinapati. Iona Performing Arts Centre, Wynnum East, Qld. 24 Sep – 8 Oct 2016

Nice Work If You Can Get It is a much-reworked version of George and Ira Gershwin’s 1920’s musical Oh, Kay! Every convention of a twenties musical comedy is pulled into service, from showgirls popping up out of a bath, to mistaken identities, disguises, and as many hoary old jokes as Joe DiPietro could cram into his script.

5 Lesbians Eating A Quiche

Written by Evan Linder and Andrew Hobgood. Directed by Nathanael Cooper. Melbourne Fringe Festival. Lithuanian Club North Melbourne. Sept 24 – Oct 1, 2016.

The Melbourne premiere season of the Off-Broadway 5 Lesbians Eating A Quiche is here for the Melbourne Fringe Festival 2016 after a critically acclaimed Australian premiere last year in Brisbane and sell-out seasons in Chicago and New York. This award winning show starring Catherine Alcorn, Lauren Jackson, Ashlee Lollback, Lauren O’Rourke and Bianca Zouppas is showing at one of Melbourne’s hidden gems, the Lithuanian Club North Melbourne and it’s a must see.

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