Reviews

The Drawer Boy

By Michael Healey. Presented by Mockingbird Theatrics. Directed by Zac Bridgman. Belconnen Arts Centre, ACT. 21-30 August 2025

It’s 1972 and the theatre scene in Canada has reached peak hippy. An experimental theatre group sends its young actors out to work with and observe local farmers in order to create a play based on their experiences. And so it is that naïve bohemian Miles hilariously crashes into the stable world of farmers Morgan and Angus. Morgan manages the farm but also acts as carer to Angus, who has brain damage which cost him his short-term memory. In spite of his disability, Angus is able to provide useful work around the farm.

A Midsummer Night’s Dream

Written by William Shakespeare. Directed by Angus Thorburn. Produced by Queensland Shakespeare Ensemble. Pip Theatre. 15 – 30 August 2025

Queensland Shakespeare Ensemble has tackled one of the Bard’s most beloved plays with A Midsummer Night’s Dream, performed at PIP Theatre under the direction of Angus Thorburn. It’s a play that teeters between dreamscape and nightmare, and this production embraces the enchantment of fairies, the ridiculousness of the Mechanicals, the tender ache of human hearts, and the wild chaos of misplaced desire.

Elevator Music

Presented by Omega Ensemble. Elisabeth Murdoch Hall, Melbourne Recital Centre, 31 Sturt St, Southbank.16 August 2025.

Omega Ensemble is renowned for its forward thinking and innovative work which is defined by commissioning original compositions and collaborating with solo artists and virtuosos. Elevator music provides a superb example of this approach and highlights compositions that bring the clarinet to the forefront of the performance. This program is predominantly showcasing contemporary works that are bright, lively and often deeply moving. Elevator music is aptly described as raucous and irreverent and provides an evening of delectable pleasure.

Who’s Afraid of Virginia Woolf?

By Edward Albee. Holden Street Theatres, SA. 5–16 August 2025

There are few things more dispiriting in the theatre than a director who mistakes themselves for God. Mercifully, Peter Goers is content to be mortal, and it serves Edward Albee very well.

The Master and Margarita

By Edward Kemp (based on the novel by Mikhail Bulgakov). Bad Company Theatre with Old Nick Co. Directors: Tai Gardner and Emma Skaliky. Costumes: Lucinenne Soulliere. Set: Elise Bagorski. Sound Design: Matt Skaliky. Lighting Design: Wolfe McBride. Puppets: Fran Reeve. The Peacock Theatre, Hobart. 15-23 August 2025

There are many ways to kill a play; a bad review, a lack of funding or unambitious management, for example. We are accustomed to this occurring. This play recalls (or anticipates) a time when ideas are considered simply Wrong or Fake, and truths are rewritten by those in power, their originators removed from society. Implausible now, but common in the early C20th Soviet Union in which The Master and Margarita is set.

The Frogs: In Hell They Sing Show Tunes

Adapted by Alex Kendall Robson after Aristophanes. New Theatre. August 12 - September 6, 2025

Can you be entertained by a piece of theatre, even though you don’t always quite know what is going on? The answer in this case is yes.

This lively, camp, singing and dancing adaptation of the Greek classic has passion, strong performances and lots of bare breasted men, who appeared like they would not look out of place at your local gym.

& Juliet

Music & Lyrics by Max Martin & Friends. Book by David West Read. Directed by Sandra Neal. Musical director Rianta Belford. Choreographer Melissa Land. Vocal director Claire Davies. Townsville Choral Society, Townsville Civic Theatre, Boundary Street, Townsville. 14 – 23 August 2025.

SO INFECTIOUS was the explosion of talent, exuberance and enthusiasm of the cast that I felt as if I had inadvertently stumbled on to the TV set of Glee.

In truth that I did not expect to enjoy - or even like – this musical. Jukebox musicals always present something of a difficulty to me. However, there is a strong contemporary positive message of being true to oneself - on many different levels.

Takács Quartet with Angie Milliken

Presented by Musica Viva. Elisabeth Murdoch Hall Melbourne Recital Centre, 31 Sturt St, Southbank. 14 August 2025.

This is a concert that inevitably engrosses the audience. Takács Quartet creates an intimate and delicate musical experience that allows each instrument to feature and distinguish itself. The quartet makes this an exceptional event with a lively and passionate performance by each outstanding member: Edward Dusinberre (violin), András Fejér (cello), Richard O’Neill (viola), and Harumi Rhodes (violin). Takács Quartet celebrates is 50th year since forming.

The Dolly and Cher Show

QPAC Chamber Choir with Choirmaster Timothy Sherlock. Presented by QPAC. Concert Hall. 12 August 2025

The Concert Hall at QPAC was buzzing with anticipation on Tuesday night as the QPAC Chamber Choir took the stage for The Dolly and Cher Show, a glitter-sprinkled love letter to two of music’s most enduring icons. It was an evening that mixed pop sparkle with country soul, wrapped in spine-tingling harmonies and buoyed by the choir’s infectious energy. The program covered decades of hits, from the ‘60s right up to more recent releases, with each song given a fresh twist that felt respectful to the originals yet undeniably the choir’s own.

Much Ado About Not(h)ing

By William Shakespeare, adapted and directed by Kelly Wilson. Music by Alex Loveless and Scott Howland. Choreography and Movement by Darren Royston, Kevin Vong and Kelly Wilson. Earl Arts Centre, Launceston, Aug 13-15, 2025 (with more dates in Hobart and Devonport).

This was my first experience with Adaptivity Theatre Company, but having read the company’s mission statement I was curious to say the least.

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