By Simon Stone after Federico Garcia Lorca; directed by Simon Stone. A Young Vic Production. National Theatre Live. Nova Cinema, Carlton VIV (& other participating cinemas nationwide.) 4 – 15 October & 17 – 22 October 2017

Simon Stone, in another of his rewrites (this one more radical) lifts Garcia Lorca’s peasant characters from rural Spain and transforms them into ‘aspirational’ middle-class people in contemporary London.  In an interview before the NTL screening, Mr Stone says, yes, he’s changed the source material, ‘but not the myth’.  I’m not sure what he means by the myth, nor what, really, is the motive behind the exercise.  Whatever he means and whatever the motive, this production was received in London with mostly rapturous reviews (there were

Please Continue (Hamlet)

Conceived by Roger Bernat & Yan Duyvendak; scenography in collaboration with Sylvie Kleiber. Dreams Come True, Geneva. Melbourne Festival. Arts Centre Melbourne, Fairfax Studio. 5-9 October 2017

Anyone who’s attended a trial, in whatever capacity, knows that there’s a considerable element of theatre involved.  The rhetoric, the probing of character and motive, the excesses of emotion, the wigs and costumes, and the uncertainty of outcome.  Yan Duyvendak and Roger Bernat were fascinated by the ‘Byzantine dynamics’ of the Guantanamo trials of alleged terrorists in which traumatised prisoners could hardly string sentences together, but were repeatedly told, ‘Please continue.’

Broadway and Beyond – Qld Pops Orchestra

With Teddy Tahu-Rhodes & Students from the Queensland University Performing Arts. Concert Hall, QPAC, 7 Oct 2017/Empire Theatre, Toowoomba 8 Oct 2017.

If it wasn’t enough to have the audience in tears once, Qld Pops had to do it twice in their Broadway and Beyond concert yesterday at QPAC’s Concert Hall. With Patrick Pickett conducting and special guest-artist Teddy Tahu-Rhodes leading the whole faculty of Griffith University’s Musical Theatre Students (90), singing “One Day More” from Les Misérables, the sound was incredibly thrilling. The song, one of six from the musical closed the first half.

Thoroughly Modern Millie

Music by Jeanine Tesori, lyrics by Dick Scanlan, and a book by Richard Morris and Scanlan. Babirra Music Theatre. Director: Karl McNamara.Musical Director: Vicki Quinn. Choreographer: Steve Rostron. The Whitehorse Centre. October 6 – 15, 2017

Babirra’s Thoroughly Modern Millie was amazing! I don’t know how a professional company could improve on what we saw.

In the title role was Stephanie John, who I remembered as Mary Poppins. Her excellent voice and dancing, combined with lovely comic timing, made for a delightful Millie. Phillip Davies had a wide-eyed innocence about his Jimmy which made for an ideal pair, and he matched Stephanie with his singing and dancing.


Aakash Odedra Company. Choreographers: Aakash Odedra, Akram Khan, Russell Maliphant and Sidi Larbi Cherkaoui. OzAsia Festival. Dunstan Playhouse. 6-7 October, 2017.

Aakash Odedra Company was formed in 2011 as a vehicle for commissioning solos and to develop contemporary dancer Odedra’s own choreographic work. His latest endeavour is comprised of four vignettes, each piece devised by a different choreographer, but all performed by Odedra himself.

The first piece, Nritta (Kathak), is a love story of sorts. Searching for his beloved and finding balance, Odedra uses space and rhythm to explore the effects energy has within a relationship. The dance is commanding in its execution.


Gravity and Other Myths / Melbourne Festival. Arts Centre Melbourne, Playhouse. 4 to 8 October, 2017

Backbone is the most elevating and enjoyable celebration of human circus acrobatic feats, from Australia’s longest running acrobatic ensemble.  From the very opening moments when all performers stand up and start moving the audience is engaged in lively surprising, imaginative feats of strength, lifting, jumping, flipping and extraordinary balancing.  The whole is underscored with vital live music from Elliot Zoerner and Shenton Gregory.

Lettice and Lovage

By Peter Schaffer. University of Adelaide Theatre Guild. Little Theatre. October 4 – 14, 2017.

‘Enlarge! Enliven! Enlighten!’ – so says Lettice Douffet in Lettice and Lovage, by Peter Schaffer, justifying her somewhat romantic and dramatic elaborations on history. In a way they also encapsulate this play.

Seussical the Musical

By Stephen Flaherty and Lyn Ahrens. Waterdale Theatre Company. Rivergum Theatre, Parade College, Bundoora. September 29 – October 7, 2017

One of the more delightful things about Seussical the Musical is that almost everyone has the source material somewhere in their childhood memories. It was easy enough to be swept along in the musical whirlwind of stories, characters and a liberal sprinkling of catch-phrases and cameos.  The production is simply and cleverly staged, and Wendy Braid's and Maree Castenmillerr's costumes are as vibrant and varied as Dr Suess' characters.

The Second Hurricane

Composer: Aaron Copland. Librettist: Edwin Denby. Horti Hall. Conductor: Angus Grant. Director: Alastair Clark. Playhouse Theatre. October 6 – 15, 2017.

Victorian Opera continues to forge a pathway for the appreciation of opera through their Victorian Opera Youth Chorus Ensemble. Apart from presenting an opera which can be appreciated by a younger audience, they are giving valuable experience to young singers who may, one day, tread the operatic boards.

Aaron Copland’s one act opera was written to be performed by secondary school students, so it was an ideal choice. Being in English certainly helped.

Michael Ball & Alfie Boe – Together

Live Nation. Musical Director: Callum McCloud. Concert Hall, QPAC, 5 Oct 2017; Melbourne 7 Oct; Sydney 11 Oct; Adelaide 14 Oct; Perth 16 Oct.

When Michael Ball and Alfie Boe opened their second-half with Gershwin’s “I’ll Build a Stairway to Paradise” that’s where the audience were – paradise. It was just one of the electric moments these two superstars of song created during their two-hour concert Together. Based on their best-selling album of the same name, musical-theatre favourites rubbed shoulders with rock, pop and swing in a program that seamlessly mixed all genres.

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