Reviews

Madama Butterfly

By Giacomo Puccini. Libretto by Luigi Illica and Giuseppe Giacosa. Director: Moffatt Oxenbould. Conductor: Brian Castles-Onion. Capitol Theatre, Sydney. 24 October - 7 November, 2017

When your home is the Sydney Opera House, going elsewhere during renovations will always test the loyalty of your guests. Opera Australia is using the Capitol Theatre for its only mainstage production since the Joan Sutherland Theatre closed in May for a makeover. The choice is a tried-and-tested production of one of the most loved operas.

Rent

By Johnathan Larson. Macquarie University Musical Society. Director: Jo Elizabeth Finnis. Musical Director: Paul Young. Lighthouse Theatre Macquarie Uni. 19th -28th October 2017.

The Tony Award winning musical Rent, loosely based on Puccini’s La Boheme, seemed the perfect musical for this University group to perform. The cast all seemed to be of relevant age, which in some productions of this can be negative if cast too old. This cast all had the maturity in their stage presence and excelled with the sometimes quite difficult score.

Once We Lived Here

By Mathew Frank and Dean Bryant. Western Sky Theatre. Directed by Andrew Baker. The Blue Room Theatre, James St, Perth, WA. Oct 17 - Nov 4, 2017

Once We Lived Here is an Australian Musical by Mathew Frank and Dean Bryant. This warm, touching musical has some very dark themes, but is ultimately a feel-good experience in the capable hands of director Andrew Baker and the new company Western Sky Theatre.

The Blue Room’s stage is transformed into a quintessentially Australian, rural property, with Rhiannon Walker’s set design featuring sunburnt colours, wood and tin. Katrina Johnston’s lighting design is beautifully emotive.

Switzerland

By Joanna Murray-Smith. State Theatre Company of SA. Dunstan Playhouse, Adelaide. October 20 to November 5, 2017.

Do the characters they create continue to haunt the writers who conjure them from their imaginations? This is one of the many questions I found myself asking as I left the Playhouse after Switzerland.Joanna Murray-Smith’s latest play explores this question, as well as introducing us to Patricia Highsmith, author of the Ripleytrio of thrillers.

The Addams Family

Music and Lyrics by Andrew Lippa. Book by Marshall Brickman and Rick Elice. Dural Musical Society. October 13 to 28, 2017

Headstones and eerie, blank-faced, white clad figures line the way as the audience is ushered along Cemetery Lane to Dural Musical Society’s production of The Addams Family. Their small stage is converted to the lonely home of the macabre characters that entertained television audience over 64 episodes between September 1964 and April 1966.

A View from the Bridge

By Arthur Miller. Red Line Productions. Old Fitz Theatre. Oct 19 – Nov 25, 2017.

The Old Fitz is so small it’s hard to imagine it as theatre in the round.  But stripped of all props except a chair, and with the actors when offstage sharing front row seats with the audience, it’s amazing what little you need to make great theatre.

A View from the Bridge, in this fine stripped back production by Iain Sinclair, is a view up close, more a psychological study.  Luckily the acting totally rewards the focus.

Outside In

By Hilary Beaton. Directed by Faran Martin. WIT (Women in Theatre). Bluestone Church Art Space, Footscray. 20 October – 4 November 2017

‘Move over Wentworth,’ says the publicity blurb for this production of Hilary Beaton’s play (published 1984) about seven women locked up in a gaol.  In fact, television series Wentworth is a ‘re-imagining’ of the Australian television series Prisoner, which debuted in 1979 and ran for 692 episodes till 1986.  Ms Beaton’s characters are not a copy of the television show, but given similar themes – shifting power relations, strategic alliances, injustice, dominance and dependence, frustration and boredom, the need for sex,

Pygmalion

By George Bernard Shaw. Wanneroo Repertory. Directed by Jacob Turner. Limelight Theatre, Wanneroo, WA. Oct !2 - 21, 2017.

Wanneroo Repertory’s Pygmalion was a sumptuously presented production that was very warmly received by capacity audiences.

Jacob Turner made a promising directorial debut with this classic George Bernard Shaw play, with a production that looked great, with lovely multiple sets designed by Robert Usaraga, well designed lighting by Jacob Anderson, solid sound work from Daniel Toomath and Kim Elford and some notable costuming.

Impersonal Space

By Emily Steel. Tutti Arts / Company AT. Queen’s Theatre (SA). 19-28 October, 2017

Impersonal Space is a completely new work by South Australian playwright Emily Steel and is produced by Tutti Arts and Company AT (Autistic Theatre).

It is a triumph on numerous levels. Firstly, it exemplifies the powerful healing possibilities that are inherent in the theatre, for all participants, audience and actors. In this case all the actors are those with a particular autism – and they are all marvelous.

The Red Tree

By Hilary Bell, based on the book by Shaun Tan. Music by Greta Gertler-Gold. National Theatre of Parramatta. Lennox Theatre, Riverside Theatres. October 19 – 28, 2017.

The National Theatre of Parramatta brings another new piece of homegrown theatre to the Riverside – and Australian – stage. Based on the book by artist Shaun Tan, The Red Tree has an appeal that is insightful and universal.

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