Reviews

Heathers the Musical

By Laurence O’Keefe and Kevin Murphy. MACMS. Lighthouse Theatre, Macquarie Uni. October 19 – 27, 2018

Macquarie University Musical Society’s performance of this new musical, based on the 1989 film of the same name, was filled with an energetic youthful cast of talented students.

The cult/classic film that has now recently been turned into a TV Series on Stan, has a many themes that stand true in society today - Popularity, Depression and Teen Angst.

Shrek The Musical

Based on The Dreamworks Animation Motion picture and book by William Steig. Book and lyrics by David Lindsay-Abaire. Music by Jeanine Tesorei. Gosford Musical Society. Laycock Street Theatre. October 19 – November 10 2018

Shrek has captured hearts and minds as a film globally for the best part of two decades, so when DreamWorks announced a musical adaption, it didn’t come as a surprise. However, what Shrek The Musical does, which is unusual, is to take that which is loved about the film and give it a completely new life. With music by Tony Award winning composer Jeanine Tesori and book & lyrics by David Lindsay-Abaire – it’s well crafted, as tongue in cheek as the movie, and caters for a broad spectrum of audiences.

Amigos Para Siempre

Queensland Pops Orchestra. Conductor: Patrick Pickett. Queensland Three Tenors (Greg Moore/Adam Lopez/Nathan Kneen). Concert Hall, QPAC. 20 October 2018

Queensland Pops’ last concert for the year was a love-fest of tenor tunes, dazzling concert showpieces and Latin music. It was also a 20year celebration of Greg Moore’s first appearance with the Pops.

Moore, Adam Lopez and Nathan Kneen met each other at university back in the nineties and have been friends ever since. The fact that they all have terrific tenor voices is a plus.

Don Giovanni

By Wolfgang Amadeus Mozart. Opera Q. Director: Lindy Hume. Queensland Symphony Orchestra. Conductor: Johannes Fritzsch. Playhouse, QPAC. 19 Oct – 3 Nov 2018

Director Lindy Hume’s feminist reinterpretation of Mozart’s masterpiece for the #Me Too era works brilliantly. Darkly austere in its setting, piercingly clever in its use of light, and a rock-star performance of the title character, the production ticks all the right boxes.

Jesus Wants Me for a Sunbeam

Adapted by Steve Rodgers from the novella by Peter Goldsworthy. National Theatre of Parramatta. Riverside Theatres Parramatta. October 18- 27, 2018

Playwright Steve Rodgers, who adapted this story by Peter Goldsworthy for the stage, says this play “is about love and grief”. Director Darren Yap describes it as a “deeply moving story … full of pain and full of love, where family is everything.” It is all of this – and more – and, as such, it is a play that requires tenderness and understanding, sensitivity and compassion.

Andrew O'Keefe "Shouts" Johnny O'Keefe

Palms at Crown Melbourne. 19 & 20 October 2018.

The life and music of the legendary Johnny O’Keefe (JOK) are energetically revived with candour and humour by his nephew Andrew O’Keefe. This show highlights the monumental importance of Johnny O’Keefe as Australia’s first true rock ‘n’ roll star.

Matt & Ben

By Mindy Kaling and Brenda Withers. Oily Rag Theatre. Back to Back Cabaret Festival, Star Theatres. October 20th and 26th, 2018

Arriving at the theatre knowing only that I was to see two female actors in a play about how Matt Damon and Ben Affleck came to write Good Will Hunting, I was totally unprepared for what ensued.

Re-member Me

By Dickie Beau. Melbourne International Arts Festival. Arts Centre Melbourne. October 17 – 21, 2018.

 

To be or not to be? That is the question.

Re-member Me is a fabulous new show by Dickie Beau. It’s a complex techno love affair with a handful of famed actors in their sometimes notorious and always memorable performances as the Prince of Denmark.

Rusalka

Cirque Nocturne. Back to Back Cabaret Festival. Star Theatres, Hilton. October 19 & 27, 2018

Rusalka is an interesting exploration of mermaids throughout the world, their history and impact on modern day folklore. The different incarnations of mermaids are interspersed with circus acts using the theme, glitter and scales of mermaids.

The actual story of Rusalka is the last of the stories. It is the tale of a young woman who had died in or near a river and would return as an undead. She was not invariably evil, and could die in peace if her death was avenged.

Otello

By Rossini. Melbourne Opera. Athenaeum Theatre. October 17 – 27, 2018

Rossini's retelling of Otello centres firmly around Desdemona, who acts as the moral heart of the opera. In this version she is secretly married to Otello, and has been wronged by her father, who gave her love note and lock of her hair to Rodrigo, supposing him to be the object of her affections. He promises her to Rodrigo; and both men are encouraged in this by Iago, who is himself a rejected suitor.  

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