Metanoia. Mechanic’s Institute, 270 Sydney Road, Brunswick. June 17 – 27, 2015

Metanoia’s 10CSoffers a self directed, almost arbitrary, visit to ten sites exploring the Ten Commandments.   In all, it’s a very personal journey predicated on one’s personal attitudes, understandings and inclinations towards a variety of religions. 

This challenging unconventional work is compiled in a variety of mediums.  There are 10 delineated sites with various installations; most are peopled and a couple of these purely electronic, a number subdued and a couple loud to the point of being brash.   


By Giacomo Puccini. Libretto by Giuseppe Adami and Renato Simoni after the play by Carlo Gozzi. Opera Australia. Joan Sutherland Theatre, Sydney Opera House. June 24 - August 28, 2015.

Can sublime music and a visually stunning production make up for a creaky story and wooden acting? That is the question posed by the return of the Graeme Murphy directed and choreographed production of Turandot.

It first graced the stage of the Sydney Opera House way back in August 1990, but there was no sign of any rust.  


By Johnny Grim. Directed by Tony Moore. Holden Street Theatres, Hindmarsh (SA). June 24-July 4, 2015

A play sure to delight animal lovers, but imbued with enough perceptive wit to engage a more general audience, Mutts tells the story of nine poor, unfortunate dogs who have wound up thrown in the pound. In order to stave off the boredom of their incarceration, and keep their minds from dwelling on the bleak fate that awaits should no one come to claim them, this motley assortment of canines engage in spirited arguments about the facts of life and share stories of their past.

The Playboy of the Western World

By J. M. Synge. Directed by Patrick Sutton. The Roundhouse Theatre, WAAAPA, Mt Lawley, WA. 12-18 June 2015

J. M. Synge's The Playboy of the Western World features members of WAAAPA's 3rd Year Acting Class (those not appearing in the excellent recent All My Sons) assisted by 1st Year Acting students and featuring a predominantly student production team from a variety of WAAPA departments.

30 Years of Musicals

QPAC Choir, Griffith University 3rd Year Musical Theatre Students, Musicians from the Queensland Youth Orchestra. Choirmaster: Tim Sherlock. Concert Hall, QPAC. 23 June 2015.

QPAC Choir’s annual concert this year celebrated 30 Years of Musicals at the Performing Arts venue since it first opened in 1985.


By Enda Walsh. Siren Theatre Co in association with Red Line Productions. Old Fitz Theatre, Woolloomooloo. June 10 – 27, 2015

You know that person who struts around seeming holier than Jesus himself with that pleasant smile and the patience of a nun? Thomas Magill is one of those people. He takes care of his elderly mother and her cat in a little Irish town and is friendly to his neighbours. He’s a good Christian man doing God’s work…80 per cent of the time.



On the night Barry Humphries announced Ali McGregor and Eddie Perfect as joint Artistic Directors of next year’s Adelaide Cabaret Festival, the wonderful Ali McGregor herself was the first among gloriously glamorous chanteuses to risk performing with Australia’s most outrageous knight, Sir Les Patterson, in Love Songs for Sir Les. The hilarious world premiere closed the 2015 Cabaret Festival with a raucous, F-word-peppered bang.


By Russell T. Davies, adapted for the stage by by Mark Kilmurry. Canberra Repertory. Directed by Jarrad West. Theatre 3, Acton. 18 June – 4 July 2015

This stage adaption of a television romp treats the story of Casanova with a complexity — rapidly alternating among the moving, the romantic, and slapstick — that must be an enormous challenge to director and actors, apparently obtaining from Davies’s television series its approach of embedding sexual farce in an essentially romantic tale. 


Book, Music and Lyrics by Lionel Bart. Ballina Players (NSW). Players Theatre. Director: Clem Halpin. June 11th to July 4th, 2015

Playing to full houses, Ballina Players has another hit on their hands with Clem Halpin’s production of Oliver.

Using the limitations of the stage area to advantage, Clem’s clever set took the audience back to the London of Victorian England with all its unsavoury characters plus a smattering of gentile folk thrown in for good measure.

Guys And Dolls

Music and Lyrics by Frank Loesser/ Book by Jo Swerling and Abe Burrows/ Directed by Peter Roberts. Windmill Theatre Company (Vic). Drum Theatre Dandenong. June 19 – 28, 2015.

Theatre is constantly changing, and yet remaining the same with musicals we know and love. For people living in the outer suburbs, amateur theatre is imperative to keep theatre alive; and when the company is the award winning Windmill (their 2013 award winning production of The Phantom Of The Opera is still talked about) then you know that theatre is in good hands. It doesn’t hurt either that they have access to Dandenong’s Drum Theatre as their performance venue. It’s a beautiful theatre, well equipped and comfortable.