Sordid Lives

By Del Shores. Playlovers (WA). Hackett Hall, Floreat. Nov 6 – 22, 2014

Playlovers' Sordid Lives is a kooky black comedy, about a white trash family, a bizarre and funny tale with some moments of depth.

Director David Gardette has assembled a strong cast that creates a conniving family group as they perform on the Texan-flag floored stage.

Introduced with songs from Bitsy Mae (nicely sung by Jane Anderson), we meet the family of a lady who has met and unfortunate and embarrassing demise.

A Happy And Holy Occasion

By John O’Donoghue. Director: Greg Taylor. Campbelltown Theatre Group Inc. Town Hall Theatre. November 7 – 15, 2014.

Campbelltown Theatre Group wraps up its 2014 season with an excellent production of  A Happy and Holy Occasion.

This play mixes humour, heart, drama, and darkness in equal amounts, as it tells the story of a family gathering in the home of the working class Irish-Catholic O’Mahon family. The “happy and holy occasion” is the farewell dinner for the youngest child, 12 year old Christy, before he leaves to train for the priesthood.


By Daniel Keene. Directed by Ariette Taylor. At fortyfivedownstairs, Flinders Lane, Melbourne. 6 – 30 November, 2014

Anna - Helen Morse – thin as a rail and as beautiful as ever - keeps herself to herself.  She’s a 60-something widow, a piece worker in the clothing trade, lives alone, a lapsed Christian, reads and dreams, and has a married 20-something daughter who exploits her.  Majid is a 20-something immigrant, homesick, isolated, looking for work – menial or otherwise.  He lives in a ratty boarding house and washes and prays in his room.  A practicing Muslim, he too reads and dreams and carries his native land and it’s stories in his heart. 

Legally Blonde – The Musical

Music and lyrics by Laurence O’Keefe and Nell Benjamin. Book by Heather Hach. Based on the novel by Amanda Brown, and the Metro-Goldwyn-Mayer motion picture. The Hills Musical Company (SA). Directed by David Sinclair. Choreography by Linda Williams. Musical Direction by Mark DeLaine. Stirling Community Theatre. November 7th – 22nd, 2014.

As someone who found the film Legally Blonde to be a moderately cute and enjoyable, but fairly unremarkable, romantic comedy, it is a pleasure to report that this stage adaptation is a major improvement, and a major success as a piece of entertainment. It is light and bright and breezy, giddy and gaudy and rowdy and rousing at a level that leaves the movie pretty much in the dust, even while staying fairly close to the cinematic plot line.

Little Egypt’s Speakeasy

Django Bar in Camelot, Sydenham (NSW). Produced and directed by Lucian McGuiness. Thurs 6 to Sun 9 November 2014

Sing me a story

This is a fabulous show! Six musicians, three singers, an MC, two burlesque dancers and a sleazy club proprietor sing, dance and tell us a story about legendary Little Egypt’s Speakeasy, a nightclub in Phoenix Arizona in, well, since the music ranges from the late forties to the early sixties, I guess the mid-sixties.

The Pajama Game

Book by George Abbot and Richard Bissell. Music / Lyrics by Richard Adler and Jerry Ross. Gold Coast Little Theatre, Southport Director: Stuart Lumsden. Nov 8 to Dec 6, 2014

The Pajama Game is GCLT’s final offering for 2014 and what a great show to end the year. The production, in the capable hands of Stuart Lumsden, with musical direction under the baton of Mary Walters and choreography by Clay English.

The talented cast was a mix of seasoned performers and new recruits who worked well as a team. Featuring Louise Harris (Babe) and Chris Catherwood (Sid), the supporting principals included Leigh Harrison (Hines), Becky Morgan (Gladys), Lee Paterson (Mabel) and Noel Thompson as Hasler.

The Magic Flute

By Mozart. Gertrude Opera. Athenaeum Theatre, Melbourne..Director: Linda Thompson. Musical Director: Warwick Stengards. Nov 6 – 8, 2014

Mozart is an ideal vehicle for developing voices, so The Magic Flute was a good choice for Gertrude Opera, which utilises students from the Opera Studio. This was also a cut-down version to put less strain on young voices and eliminate the need for a chorus.

Innovation took the place of expensive props, and I liked the opening where we had a cut-out dragon projected on to the back wall. The production was well-directed with use being made of the front box for Sarastro and a door to the orchestra pit for Papageno and Pamina.


By Joanna Murray-Smith. Sydney Theatre Company. Drama Theatre, Sydney Opera House. Nov 3 – Dec 20, 2014

This is an internationally reaching, masterful new play from Melbourne’s Joanna Murray-Smith. It takes some risk focusing on a real-life writer – on her obsessions and her books, her abrasive quest for truth, and her last days holed up as a hermit in Switzerland. Murray-Smith however paints such a sharp fulsome portrait of American crime writer Patricia Highsmith that all we need to know is in her play.

I’ll Eat You Last

By John Logan. Directed by Dean Bryant. MTC. Fairfax Studio, Arts Centre Melbourne. October 31 – December 20, 2014.

If Einstein had been a theatre reviewer his theory of Entertainment would have read E = MTC2 ….squared because the M becomes MM, which stands for Miriam Margolyes. Like a spectacular and dazzling supernova she draws the audience into her orbit and holds them there, in thrall, for 90 minutes of sublime entertainment.

The Darling Buds of May

By Herbert Ernest Bates. The Therry Dramatic Society (SA) 6 to 15 November, 2014

Although author Herbert Ernest Bates wrote The Darling Buds of May in 1958, it has lost none of its charm. The Therry Dramatic Society, with Hayley Horton at the helm, have produced a delightful tale that follows the comings and goings of the loveable Larkin family, set against a backdrop of rural Kent in the 1950s. The show’s title refers to the opening buds that point to the summer season ahead and to the freshness and exuberance of youth as it turns toward adult maturity. 

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