Freeze Frame

Written, directed and choreographed by Debbie Allen and presented by the Brisbane Festival. Brisbane Playhouse. September 19-22, 2013

Debbie Allen's much publicised world premiere Freeze Frame emerged onto the stage this week as part of the Brisbane Festival. Famous for her role in the TV series Fame, Ms Allen has become somewhat of a figurehead in LA having created choreography for many name artists and set up her own dance academy.


By Enda Walsh. Siren Theatre Company. Tap Gallery Theatre, Darlinghurst (NSW). September 12 – October 6, 2013.

Siren Theatre Company’s new offering Penelope is an incredibly fresh, energetic and a perfectly realised piece of theatre. 

Kate Gaul’s company which previously triumphed with The New Electric Ballroom (Griffin Independent), also penned by Irish playwright Enda Walsh, has done it again.

Based on the last chapter of Homer’s The Odyssey, Walsh’s script is full of poetry, tragedy, vaudevillian slapstick comedy and what can only be seen as the downright futility of life.



By Peter Shaffer. Nomadic Artists / Sydney Fringe. The Forum Theatre, Italian Forum, Leichhardt. September 12 – 28, 2013.

Martin Portus has the unenviable task of carrying the didactic weight of this sometimes tortuous, but always compelling, play. As Dysart, he must lead the audience through scenes that are physically and emotionally confronting – and the labyrinth of psychological insights that explain them. Dysart’s character is complex, and from his opening soliloquy to the anguish of his final words, Portus sustains both the strength and intensity that is essential in this exacting and physically demanding role.

A Cole Porter Celebration Concert

Sydney Philharmonia Choirs. Concert Hall, Sydney Opera House. September 19, 2013. Also September 21 at 2pm.

There is always a sense of anticipation as the lights come up on the stage of the Concert Hall, with the orchestra, tuned and poised and light catching the glow and polish of the instruments. When the lights also reveal over two hundred members of the Sydney Philharmonia Festival Chorus filling the galleries surrounding the orchestra, it is a stunning sight.

Aurora Calling-The Result of a Joint Observation

By Catherine Ryan. Produced by Tiffany Raae and Directed by Jason Shorter. Lot 19, Castlemaine, Victoria. August 23 - September 1, 2013

If I press my fingers harder on my keyboard, can I get closer to you?


Music and lyrics by Stephen Schwartz and a book by Roger O. Hirson. Bob Fosse. Magnormos. Director: Stephen Wheat. Musical Director: Andrew Leach. Choreographer: Michael Ralph. Melbourne Recital Centre. September 16, 2013.

Magnormos fill a niche market in Melbourne, presenting professional productions of lesser-known musical theatre works, generally in smaller venues. However, their Stephen Schwartz Celebration Triptych was performed in the Melbourne Recital Centre, a venue more suited to concerts than musicals. So the set for Pippin comprised just two wooden boxes on wheels with the orchestra behind, though projections on the back wall were effective.

Calendar Girls

By Tim Firth. Players Theatre, Ballina (NSW). Director: Fran Legge. September 13th – 28th, 2013

Adapted by Tim Firth from his movie of the same name, Calendar Girls is an insight into the lives of people dealing with Leukaemia and Fran Legge’s production presented the audience with a light-hearted yet thought-provoking experience.

La Traviata

By Giuseppe Verdi. Melbourne Opera. Director: Suzanne Chaundy. Musical Director: Greg Hocking. Athenaeum Theatre. September 11 – 22, 2013

I was unable to attend the opening night of La Traviata but I was very happy to meet the second cast. The revelation of the night was young Sam Sakker. I encountered him in the final of the German Australian Opera Grant three years ago where he was the audience favourite.

The Dark Room

By Angel Betzien. Holden Street Theatres, SA, September 14 - 28, 2013. (Thursdays, Fridays and Saturdays at 7.30pm)

Adelaide Flying Penguin Productions, with sponsorship from State Theatre Company of South Australia, Holden Street Theatres and other organisations, are currently presenting the South Australian premiere of Angel Betzien’s gritty contemporary Australian drama. The work, set entirely in a low-budget hotel room somewhere in the NT, raises issues such as deaths in custody, child neglect and abuse, domestic violence and corruption.

When The Rain Stops Falling

By Andrew Bovell. Centenary Theatre, Brisbane. 7 – 28 September, 2013

Tracing four generations from 1959 to 2039 in the jigsaw pattern of life by which we discover our own past, this splendid ‘family play’ engages us, intrigues us, often frustrates us. Even by the last scene – which takes up where the play began – the central character, young Andrew Price, is less aware of his heritage than we are. We have been privy to events in those four generations that are just too hard to reveal at this delicate father-son reunion.

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