Reviews

Ned Kelly My Love – The Untold Story of Ettie Hart

Writer and Director: Xavier Brouwer. Set and Costume Designer Valentina Serebrennikova, Lighting Designer Maddy Seach, Researcher Paul O’Keefe. November 9th – 13th 2016.

Metanoia Theatre brings Ned Kelly My Love to the stage of the Mechanics Institute in Brunswick. This marvelous show is based on the previously untold love story between Ned Kelly and Ettie Hart, the sister of one of the Kelly gang, Steve Hart. In 2010 Ettie’s great-great-grandson Paul O’Keefe found her scrapbook at the family home in Sydney.

The Little Mermaid

By Doug Wright, Alan Menken, Howard Ashman and Glenn Slater. Canterbury Theatre Guild. Lendlease Darling Quarter Theatre, Sydney. November 3 – 6, 2016

Canterbury Theatre Guild presented Disney’s The Little Mermaid, based on the much-loved animated movie, to a packed and very vocal audience. Performing the musical at the Monkey Baa Theatre at Darling Harbour brought a more professional feel to this amateur production.

Speed-the-Plow

By David Mamet. Sydney Theatre Company. Roslyn Packer Theatre. November 8 to December 17, 2016

In 1988 David Mamet really let rip with this savage satire on the greedy gatekeepers of Hollywood and all their banal, money-making formulas.

These Hollywood gladiators attack with the same spitfire language and obscenities as those real estate salesmen who tear each other apart in Glengarry Glen Ross, Mamet’s other classic of the time. A Hollywood player himself, Mamet today is a touch more benign about the place.   

Kiss Me, Kate

Music & Lyrics: Cole Porter. Book: Sam & Bella Spewack. Critical Edition: David Charles Abell & Seann Alderking. Opera Q. Director: Kris Stewart. Conductor: Guy Noble. Choreographer: Christopher Horsey. Concert Hall, QPAC. 12 Nov 2016

Following on from 2015’s semi-staged Candide, Opera Q have again dug into the musical theatre vault and come up with Kiss Me, Kate. It was a good choice. Staged in concert form for two performances it had more on the plus side than the minus – a top-heavy cast of stars, the Queensland Symphony Orchestra, the Opera Q Chorus and an ensemble of Griffith Musical Theatre graduates who all vocally blew the roof of the Concert Hall when they were in full flight which was often.

 

Deceptive Threads

Devisor/Performer – David Joseph. Devisor/Director – Karen Berger. Bowerbird Theatre. 45 Downstairs (Vic). 9 to 20 November 2016

Deceptive Threads depicts aspects of the comprehensively researched family, and lived personal, history of David Joseph.  It is an exquisitely crafted piece of theatre made by a number of exceptionally skilled practitioners and seamlessly linked with insightful direction by Karen Berger.   

As a sincere, genuine, moving work, full of heart and integrity, it brings with it strong and timely messages about attitudes to migrants and refugees.

How to Succeed in Business Without Really Trying

Music and Lyrics: Frank Loesser: Book: Abe Burrows, Jack Weinstock and Willie Gilbert. Gold Coast Little Theatre, Southport. Director: Shane Cadday November 12th to December 10th, 2016.

GCLT have a hit on their hands with their final production for 2016.  This light hearted look at big business has a striking resemblance to recent events in the US: an outsider seeing a greater prize and does everything in his power to achieve his goal.

In this case, the man in question is J. Pierrepont  Finch (Ethan Liboiron), an ambitious young window-washer who decides to trade “looking in” on the company to heading it, in the nicest possible way.

Don Parties On

By David Williamson. Red Phoenix Theatre. Holden Street Theatres. 10-19 November, 2016.

The timing of director Michael Eustice in premiering Don Parties On in South Australia could not have been better planned. Quite apart from recent events in the United States that you may have heard about, the home-grown political scenario depicted on stage has a particular resonance these days that only the passage of time was capable of creating.

A Life in the Theatre

By David Mamet. Darlinghurst Theatre Company. Eternity Playhouse. Nov 4 – Dec 4, 2016.

America’s David Mamet wrote his esteemed guide to acting, True and False, at the turn of this century. This play, a backstage dialogue between an older and a promising young actor, which premiered in Chicago in 1977 is really Mamet’s much younger love-letter to the profession. 

Blessed

By Fleur Kilpatrick. Attic Erratic Company for the Poppy Seed Theatre Festival. Malthouse Theatre, Tower. 8 – 20 November 2016.

With weird and unforeseen synchronicity this play opened on the day we learned that Donald Trump would be the next President of the United States.  The play’s characters, Maggie (Olivia Monticciolo) and Grey (Matt Hickey) are thwarted, defeated and hope-less, so poisoned by alienation and failure that they can no longer identify or blame the causes – except themselves.  There may be ‘no more exciting time to be Australian’, but not for these two.  They’ve been left behind.  Worse, we sense they always would be. 

Project Xan

Directed by Hellie Turner. PICA (Perth Institute of Contemporary Arts), WA. 8-19 November, 2016

Project Xan, presented by Jedda Productions at PICA, is a highly moving, insightful, documentary theatre piece, which examines rape culture. Sensitively presented, by a clearly tight-knit ensemble, it is a wonderful inspiration for discussion and debate.

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