Reviews

Huff

Playwright/Performer: Cliff Cardinal. Native Earth Performing Arts (Canada). Sydney Festival. Australian Exclusive. Director/Dramaturg: Karin Randoja. Seymour Centre. 24-28 January, 2017

Growing up on an indigenous reservation in Canada is not much different, it seems, from growing up on similar reservations in other countries. Cut off and isolated from the mainstream by legislation, distance and lack of opportunity, some adults turn to drink and abuse. Kids ‘huff’ (sniff) gasoline, sneak porn magazines and find a secret place to read them – in this case, an abandoned motel – a place to hide from the realities of a dysfunctional world. But wherever they go the ‘Trickster’ – bad luck, misfortune, adversity – finds them.

In the Shadow

Written & Directed by Anne Blythe- Cooper. Music by Louella Jury, lyrics by Anne Blythe- Cooper. Presented by Reimagined Histories. At the Cascade Brewery theatre, from January. Season is all of 2017.

Theatre takes many forms, and appears in many different venues. Historical play In the Shadow is performed in a brewery. Written, directed and performed by Anne Blythe- Cooper, In the Shadow is a short but powerful piece about a colonial identity, Peter Degraves. The Cascade Brewery and the Theatre Royal in Hobart are two of his better known edifices. His wife Sophia was in his shadow, but is really the subject of the play.

Odd Man Out

By David Williamson. Ensemble Theatre, Sydney. Director: Mark Kilmurry. 24 January – 18 March 2017

According to Wikipedia, this is the 48th play that David Williamson has unleashed upon us. Not to mention his 24 or so screenplays. Odd Man Out is due to run for two months at the Ensemble with many shows already booked out. And with news that his 2015 play Rupert could well be getting the Hollywood mini-series treatment, the 74-year-old playwright has never been more, well, hot.

Gender Spanner

Directed by Jessica McKerlie. Fringe World. Rigby’s Bar, Perth WA. 22-25 Jan, 2017

Jessica McKerlie’s one person show Gender Spanner is billed with the tag lines “Are you a man? Are you a woman? Are you sure?”

Honk JR

By George Stiles and Anthony Drewe. Young Australian Broadway Chorus. The Lawler at Southbank Theatre Melbourne. January 18-28, 2017

Presented by the Young Australian Broadway Chorus, the musical theatre program of Stage School Australia, this is a lively show with great ensemble numbers and some strong solos, suitable for the whole family.

This feel-good musical is based on the Hans Christian Andersen tale, The Ugly Duckling. We follow the self-discovery journey of Ugly, David Duketis, born into a family of farmyard ducks. He is clearly different, but as the story progresses, he and all the other animals learn that is something to celebrate.

Fairybread

Book by Ben Thomas and Jackson Used, music by Jackson Griggs and lyrics by Cal Silberstein. Fringe World / sandpaperplane. Bento Box, Noodle Palace, Northbridge, WA. Jan 20-22, 2017

At first Fairybread appears to be about a group of friends having a 'last supper' before they part ways for a while. Gradually it is revealed that not all is what it seems in this complex and clever new musical by sandpaperplane.

With a book by company founders Ben Thomas and Jackson Used, music by Jackson Griggs and lyrics by Cal Silberstein, this show explores keeping in touch when one doesn’t know what to say.

The Lonely Playground

WAYTCo. Directed by Scott Corbett. Fringe World The Engine Room, The Flaming Locomotive, State Theatre Centre of WA, Northbridge WA. Jan 20 – 28, 2017

WAYTCo, The WA Youth Theatre Company, presented The Lonely Playground, a devised theatre piece for FringeWorld.

Perhaps slightly a misnomer, The Lonely Playground is set on a bus – an exploration of loneliness, relationships and interactions in the playground/journey of life. I imagine that the play developed in a different direction from what was originally intended – a peril of devised theatre that needs to be titled months in advance.

RISSCHT! The Little Match Girl

The Open Lid Ensemble / Fringe World. The Engine Room, The Flaming Locomotive, State Theatre Centre of WA, Northbridge WA. Jan 20 – 28, 2017

A retelling of Hans Christian Anderson’s classic tale, RISSCHT! The Little Match Girl, by The Open Lid Ensemble is a sensitive, gentle piece set in a modern city.

Told mostly through dance and movement, there is very little dialogue. Lovely imagery in both the stage pictures and the simple cityscape set created by the ensemble. A simple but beautiful looking production, it is nicely costumed by Anne-Marie Piccoli. Music is integral and emotive, well created by Michael Biagioni and Isaura Malika.

Born Yesterday

By Garson Kanin. Melbourne Theatre Company. Directed by Dean Bryant. Southbank Theatre – The Sumner. 14 January – 25 February 2017

Usually, nowadays, when a classic play is revived by a main-stage theatre company, one anticipates a complete and radical reworking or a rather facile museum piece.   Of this, the first production of the year from MTC - Born Yesterday, a play from 1946, neither can be said.  With the wackiest and most invigorating curtain call, this captivating production feels very modern, relevant, thought provoking, and easy to relate to.

Dr. Felicity Rickshaw’s Celebrity Sex Party

By Tyler Jacob Jones and Robert Woods. Directed by Tyler Jacob Jones. Fringe World. The Engine Room, The Flaming Locomotive, State Theatre Centre of WA, Northbridge WA. Jan 20 – Feb 1, 2017

Multi award winning Dr. Felicity Rickshaw’s Celebrity Sex Party returns for a second season at FringeWorld 2017.  This bizarre but loveable musical about a lonely and awkward office worker who harbours a secret life as a celebrated writer of erotic, celebrity fan-fiction, is attracting sell-out crowds and is once again a hot-ticket production.

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