Reviews

One Flew Over The Cuckoo’s Nest

By Dale Wasserman, from the novel by Ken Kesey. Directed by Alan Cooke and Donna Clayton-Smith. Townsville Little Theatre. Pimpac Theatre, Townsville. 11-14 July 2018.

It was with some apprehension that I entered the auditorium for this performance as this play (and film) has an impressive pedigree.

For those who do not know the book, play or film, it is set in a psychiatric hospital which becomes the background for a battle between conformity (sanity?) and rebellion (insanity?). Its combination of comedy and drama looks at institutional processes and human behaviours. Time magazine included the book on its Top 100 Best English-language novels from 1923 to 2005 list, and the film won five Academy Awards in 1975.

The Wiz

Music and Lyrics by Charlie Smalls (and others) and book by William F. Brown. Gosford Musical Society Juniors. Director: Ben Poole. Choreographer: Hayley Liddell. Music Director: Dylan Pollard. Stage Design: Darryl Kirkness. Wardrobe: Jamie McKenzie. Laycock Street Theatre. July 11-14, 2018.

This musical sprang about during the funkadelic 70s as an African American (soul) reimagining of the classic Wizard of Oz fable. While it was hugely successful as a stage show, the film, featuring Diana Ross, Michael Jackson, Richard Pryor et al, was critically panned. Nevertheless, it’s difficult not to make a very strong association with that template when you think of The Wiz.

Lysistrata

By Aristophanes. Tempest. Directed by Susie Conte. The Studio, Subiaco Arts Centre. WA. 10 - 14 July, 2018

Feminist theatre company tempest presents Lysistrata, written in 411BC, at least in part as a comment on femininity, sex, power and politics in 2018.

A condensed version of Aristophanes’ classic, the aesthetic is unapologetically pink and pretty, while the vibe is power. Featuring an all-female cast, this production, running a little under an hour, draws from contemporary catch phrases and situations.

Hamlet Prince of Skidmark

By The Listies. Sydney Theatre Company. Seymour Centre, Sydney, July 7 – 22, 2018; Riverside Theatre, Parramatta, July 25 – 27; The Playhouse, Canberra Theatre Centre, Aug 3 & 4; Wagga Wagga Civic Centre, Aug 7; Illawarra Performing Arts Centre, Aug 10 & 11; Glen Street Theatre, Aug 17 & 18.

Hamlet Prince of Skidmark is a fun, silly parody on Hamlet. This crazy, cheeky play got kids out of their seats. With the bright range of colours, cool effects and funny sounds your kids will defiantly have a laugh! The play started off strong with the ushers introducing themselves. One of them explains that they have given a gift basket to the crew the night before and it was 400 years past its use by date.

Blackie Blackie Brown - The Traditional Owner of Death

By Nakkiah Lui. Malthouse – Beckett Theatre. 5- 29 July 2018

Slick, tight, fast moving, massively loud and marvelously cathartic, Blackie Blackie Brown is a kind of supernatural, part real and part animated, ‘Panto’.  And yes on opening night, with all its glitches, as audience we did get to call out - but not exactly “he’s behind you!”

Urinetown

Music and Lyrics by Mark Hollman, Book and Lyrics by Greg Kotis. Melville Theatre (WA).Directed by Craig Griffen. 6-21 July, 2018

Urinetown is not your conventional, happy musical (as you are informed several times during the show). Dark, bizarre and having a dreadful title, it is more than a little different. Melville Theatre’s latest production is playing to full houses who are delighted with this odd, but well-presented show.

Set during a drought, where people are being forced to play exorbitant sums to use public amenities, people who try to “pee for free” are being “shipped off” to the mysterious “Urinetown”, never to be heard from again.

We Will Rock You

By Queen and Ben Elton. Matt Byrne Media by arrangement with David Spicer Productions. Arts Theatre, Adelaide. 5-14 July, 2018. Shedley Theatre, Elizabeth. 19-28 July, 2018.

Freddie Mercury – born Farrokh Bulsara – was an inimitable front-man, and the group of musicians he led has never been the same since his life was lost to AIDS. Neither, for that matter, has the world of rock-and-roll – or musical theatre, now that We Will Rock You is firmly entrenched as a worldwide audience-favourite.

Rigoletto

By Giuseppe Verdi. Opera Australia. Directed by Elijah Moshinsky. Joan Sutherland Theatre, Sydney Opera House. July 6 - August 24, 2018

Opera Australia sure enjoys its Elijah Moshinsky productions. When superstar Verdi specialist Leo Nucci pulled out from the role of Rigoletto, it wasn’t just the cast that changed. The company also chose to switch its revival to Moshinsky’s crowd-pleasing interpretation, famous for its La Dolce Vita-inspired design. First staged in 1991, the production brought an opulence to this dark work and it was a little Italian minor that stole the scene in the third act.

Club Provocaré

David Williamson Theatre, Melbourne Polytechnic, Prahran, Victoria. July 5 – 15, 2018.

Straight out of the back alleys of Berlin, Bernie Dieter is the hypnotic and erotic diva of Kabarett and the host of her new show, Club Provocaré.

The Rolling Stone

By Chris Urch. Outhouse Theatre Co and Seymour Centre. July 3 – 21, 2018

“It is the business of art to be dangerous,” writes Adam Cook in the foreword to his production of The Rolling Stone, a play that challenges the religious, cultural and political powers that “struggle with the notion of homosexuality”.

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