Reviews

“Thanks for coming along and having a yarn,” says Joel Bray to his small, but capacity audience of around 20 people as they leave his ‘hotel room’ at The Johnson Hotel in Spring Hill. Audience members respond like new-found friends and privileged party crashers: “Thanks for the champagne!” – some even hug the performer: “Thanks for sharing your story” – not the usual way you exit a theatre performance. 

Luna Gale is the impressive name of the baby brought to an Iowan hospital by her messed-up teenaged parents. High on crystal meth, the mother bounces off the walls trying to summon help while the father sits in slumped, comatose silence. Enter the weary social worker with her forms and lists to begin her 91st entry in the desperately underfunded world of child protection services. 

If you’re looking for an opulent fairytale to take your kids to then you can’t go past Queensland Ballet’s revival of Cinderella. Originally staged at the beginning of Li Cunxin’s tenure as artistic director of Queensland Ballet five years ago, this version of the classic tale by Ben Stevenson ticks all the right boxes - magical transformation scenes, sumptuous and glittering costumes, and exceptional dance.

The Jersey Boys musical has made a return to Sydney a decade after it first opened here and the show still packs a punch.

The story of Franki Valli and The Four Seasons - four American teenagers with police records who moulded themselves into one of the best selling music acts of all time - is a riveting ‘rags to riches’ yarn.