Reviews

Gloria

By Branden Jacobs-Jenkins. Outhouse Theatre Co and Seymour Centre. June 6 – 22, 2019

Not very much work happens in the part of the office where the play opens – but on the other hand everything is happening. The agenda of the magazine journalists is not writing stories, rather who attended the housewarming party of misfit Gloria the night before, can the intern fetch something from the vending machine, bitching about an article written by another reporter and private phone calls.

Dami Im – My Life In Songs

Adelaide Cabaret Festival. Dunstan Playhouse, Festival Centre, Adelaide, June 13 -14, 2019

We are all familiar with the Dami Im, winner of the fifth season of X Factor Australia, whose debut single “Alive” reached number one on the Aria Albums Chart andwho represented Australia at the Eurovision Song Contest 2016 with the song “Sound of Silence”. There she won the jury vote, coming second overall with a total of 511 points. But how much do we know of the real Dami?

In an extremely compelling evening of song,Dami Im – My Life in Songs explores her story as a Korean immigrant and her climb to success.

When the Light Leaves

By Rory Godbold. Directed by Jayde Kirchert. La Mama Courthouse, 349 Drummond Street Carlton. 12 – 23 June 2019.

Voluntary Assisted Dying (VAD) is a topic that has long been avoided in our legal, social and moral discourse. Rory Godbold challenges this through a deeply personal account of the loss of a loved one and this brings an engrossing rawness and authenticity to the play.

Murder on the Wireless

By Arthur Conan Doyle and Mark Kilmurry. Ensemble Theatre, Sydney. Director: Mark Kilmurry. 7 June – 13 July 2019

This is a strange one. The first night audience assembled, ready to laugh or gasp at a new play by Mark Kilmurry, Artistic Director of the Ensemble. He welcomes them, explains in character that this is London in 1959, that we are to see two radio plays performed in real time. He introduces his fellow actors (Georgie Parker and Daniel Mitchell) and the Foley Artist (Katie Fitchett) who will provide all necessary background sounds, from door-bangs to footsteps in the gravel. Audience primed, ready for fun, so off we go!

Megan Mullally & Her Band Nancy & Beth

Devised by Megan Mullally & Stephanie Hunt. Melbourne Recital Centre. 12 & 13 June 2019

‘It started as a bit of a joke,’ said Megan Mullally in a recent interview, ‘but it’s not as much of a joke now.’  Which doesn’t in the least mean her ‘punk vaudeville’ show is not funny or not extremely entertaining.  What Ms Mullally means is that this now highly polished show began in 2011 with Ms Mullally and Stephanie Hunt fooling around – with a ukulele apparently – finding they loved the same songs and that their voices blended, and slowly developing Nancy and Beth.  Don’t ask me to explain the

Philip Quast Uncut

Adelaide Cabaret Festival 2019. A Meredith Shaw Production. The Dunstan Playhouse, Adelaide Festival Centre. June 10, 2019

An afternoon with an old friend. That’s the way the performance by Philip Quast felt in his Adelaide Cabaret Festival show Philip Quast Uncut. From the moment we hear a disembodied whistle and his approaching beautiful tones singing “The Gypsy Rover”, as an audience, we are along for the ride. It was clear there was much affection in the room for this homegrown star. He made the local audience feel special by even singing a rendition of “Adelaide’s The Home For Me”from On The Wallaby by Nick Enright.

Almost, Maine

By John Cariani. Between the Buildings Theatre Company. Meat Market’s Stables, North Melbourne. 10 – 16 June 2019

Love is tough.  Finding it, declaring it, keeping it, losing it.  Set in the fictitious snow-bound small town of ‘Almost’in the north-eastern US state of Maine on a Friday night, John Cariani’s play in nine parts depicts lovelorn or love-lost inhabitants as they hit turning points in their lives – and it’s sweet, bitter, funny and sometimes just a little too cute and corny.  

Rock Choir

QPAC Choir & QPAC Youth Choir / Griffith University Musical Theatre Graduates/ Merge Dance Theatre / Rock Choir Band. Choirmaster: Timothy Sherlock. Piano: Tina Liu. Concert Hall, QPAC. 11 June 2019

On its tenth anniversary, QPAC’s Community Choir is this year paying tribute to Rock ‘N’ Roll with songs from The Beatles, The Beach Boys and Billy Joel, through to classic groups of the eighties Queen, Fleetwood Mac and Pink Floyd. An eclectic selection of material that encompassed hard rock to soft-pop rock.

With over 200 voices at his disposal, choirmaster Timothy Sherlock’s choral and musical arrangements gave four-part harmony life to this classic repertoire at times nearly blasting the roof off the Concert Hall.

Alice’s Adventures in Wonderland

The Australian Ballet, with Orchestra Victoria. The Arts Centre Melbourne. 8 – 22 June 2019

Tonight was the 50th performance of Christopher Wheeldon’s Alice’s Adventures in Wonderland. Opening in Oxford in 1862, this balletic adaptation of the famous novel sticks closely to its original text. Alice, played by Principal Artist Ako Kondo and her sisters (Jill Ogai and Karen Nanasca) are being entertained by Lewis Carrol himself (Adam Bull). One by one the guests arrive for a party most played by Principal Artists.  It’s beautiful to be sure and promising of some wonderful dance to come.

Pride and Prejudice

By Helen Jerome. Based on the novel by Jane Austin. Redcliffe Theatre, Queensland. Directed by Madeleine Johns. June 7 – June 16, 2019

Let’s go back into the past and follow the family relationships as every possible trick is used to find husbands for the three Bennet girls – Jane, Elizabeth and Lydia – as daughters could not inherit any of the estate. Success for a young lady was to be married and here their mother is obsessed with the task. The novel was written during the Regency Era in 1813 and this gives the modern audience the opportunity to witness a view life of a time so very different from our own.

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