By Lucy Prebble. University of Adelaide Theatre Guild. Little Theatre. 5 - 15 October, 2016
Megan Dansie is again to be congratulated for bringing a fresh and challenging piece of theatre to Adelaide. Lucy Prebble’s The Effect is a complex work dealing with many themes relating to ethics, love, consent and the complexities of the human mind.
Alex Vickory-Howe. Accidental Productions. Bakehouse Theatre, Adelaide. 4-15th October 2016
Playwright Alex Vickory-Howe explores many themes in his play Out of the Ordinary. His motivation for doing so stems from his theory of what it is to be successful, how important success is and whether being an artist rather than an accountant should warrant more or less adulation.
By Alan Ayckbourn. Pymble Players. October 5 – 29, 2016
Why does director Diane Howden love this play? “It has a bit of everything: thrills, comedy, murder, mystery and farce.” Add an accumulation of complications as unsuspecting dominatrix, Poopay, is carried from 2036 to 2016 to 1996 in a revolving hotel box room, and two wives trying to avoid their own murder, and you have a play that stretches the imagination as much as it stretches the set designer and the cast.
Book by Frank Howson, John-Michael Howson, Simon Phillips and Carolyn Burns. Directed by Simon Phillips. Choreography by Andrew Hallsworth. Lyric Theatre, Sydney. Opening night: October 6, 2016
Pound for pound this was the best opening night for a new Australian written musical since The Boy From Oz. Even our biggest hit of recent times - Priscilla - was trimmed after the premiere. This production felt like it had rolled off the Broadway production line.
At its heart is a very good story. Bobby who? was the question many asked when the musical was announced. The director Simon Phillips was amongst the many who did not know much about him.
Concept, script & production by Peter Green. Direction, dramaturgy, original music & keyboard by Faye Bendrups. La Mama Courthouse, Carlton (VIC). 5 – 9 October 2016.
The Masque of Beauty really is a ‘masque’ – i.e. not a ‘play’. Or at least, it is masque-like. The performers wear no masks, instead opting for elaborate make-up. Nor does it conclude with traditional celebratory images of beauty and concord in homage to whoever is in power. On the contrary. La Mama’s quarterly handbook of coming attractions calls it a ‘renaissance cabaret’.
TerryandtheCuz. OzAsia Festival. The Maj Gallery. September 28 – October 1, 2016
SKIN is an inter-active promenade production from Malaysia that effectively takes one into the nightmare world of human trafficking. As is stated by the creators in the program, Malaysia currently hosts approximately 90,000 refugees, whom exist in a state of transit having no international legal standing. What this production successfully achieves is an ‘experience’ that is informative as much as it is alienating. It is a journey that one takes sometimes with the other attendees/participants and at other times as an individual.
Directed by Scott Maidment. Regal Theatre, Subiaco, WA. 29 Sep - 23 Oct, 2016
Blanc de Blanc would be best enjoyed with a sexy companion and a few glasses of champagne. A sexy blend of cabaret, burlesque, circus and tease, it is full of surprise.
By Virgil Thomson to a libretto by Gertrude Stein. Victorian Opera. Conductor: Phoebe Briggs. Director: Nancy Black/Professor Kim Vincs. Merlyn Theatre, Malthouse. September 30 – October 1, 2016
Four Saints in Three Acts is an opera like no other. Written by the American composer Virgil Thomson to a libretto by Gertrude Stein, the words are generally nonsense, with repetitive phrases and no discernible plot. The Stream of Consciousness school was popular in this era.
The Last Great Hunt. Directed by Arielle Gray and Tim Watts. Pica Performance Space, Perth WA. 1-16 October, 2016
Presented by PICA as part of the 2016 AWESOME Festival, The Last Great Hunt’s show New Owner is a beautiful World Premiere that features puppetry, live action, animation and projection to tell a story of relationships through the eyes of a dog.
By George Farquhar. Blackwood Players. Blackwood 21, Blackwood. September 30, October 1, 7, 8, 14, 15, 2016
Having very recently reviewed Timberlake Wertenbaker’s Our Country’s Good, in which some of the convict characters in an early Australian penal colony attempt to rehearse George Farquhar’s play The Recruiting Officer, this week I reviewed The Recruiting Officer in its own right.
