Reviews

Mary Poppins

Book by Julian Fellowes, Music and Lyrics by Richard and Robert Sherman. New Songs by George Stiles and Anthony Drewe. Ballina Players Theatre, Ballina. Director: Sue Belsham. 17th November – 10th December, 2017.

This popular musical is Ballina’s final offering for the year. It’s full of colour, great performances and proving to be a great favourite with all.

Sue Belsham has managed to capture the magic, and with Leanne Broadley’s musical direction and Jaime Sheehan’s choreography, has delivered a bright and memorable show.

Leading the cast are two Gold Coast Area Palm awarded performers, Veronica Lovejoy in the title role, ably complemented by Brian Pamphilon as Bert.

Master Class

By Terrence McNally. Directed by Adam Spreadbury-Maher. Subiaco Theatre Centre, WA. Nov 18 - Dec 2, 2017

In Terrence McNally’s Master Class, the audience have to opportunity to attend a master class with opera superstar Maria Callas. Do not be concerned about the fact that Miss Callas passed away in 1977; the amazing Amanda Muggleton has embodied her with passion and intensity.

The audience becomes the class and Maria teaches with a fury and self-belief that can only come from a true Diva. Amanda Muggleton’s performance is outstanding, and deserved the standing ovation on Opening Night.

Calendar Girls

By Tim Firth. Based on the motion picture by Juliette Towhidi and Tim Firth. New Farm Nash Theatre, Brisbane. Directed by Brenda White. November 17 – December 9, 2017.

This is an ideal time of the year for this play, as we are being inundated with thousands of calendars from which to choose.

Present Laughter

By Noël Coward. The Mount Players. Directed by Andrew Meldrum. 17 November – 3 December 2017

This production is spiced with moments of real theatre magic.

Interesting how NoëlCoward’s work seems to be experiencing something of a serious comeback.  Present Laughter is currently being played on Broadway and starring Kevin Klein.

Rainbow Man

By Peter Dawncy. Composer: Owen James. Director and Set Designer: Dann Barber. Costume Designer: Christie Milton. Lighting Designer: Caitlyn Staples. Goodnight Darlings. 45Downstairs, Melbourne. 15 – 26 November 2017

As the curtain rises we find Bibsby (James Cerche), former thespian, in a run-down cemetery tending to the graves, and caring for two beings.  Garm (Cait Spiker) and Derb (Ben Walter) are siblings, literally stuck half way between this world and the grave, and demand attention from the depressed Bibsby, who would rather they just go back to sleep. They argue and rant, and rant and argue. The unsettling presence of a ghostly mother figure (Alex Aldrich) circles the stage and eventually joins the action with a grounding solemnity and an impressive show of puppetry.

James and the Giant Peach

By Richard Geirge, from the book by Roald Dahl. Directed by Christine Ellis. KADS Theatre, Kalamunda, WA. Nov 17 - Dec 3, 2017

James and the Giant Peachwas a late replacement in KADS 2017 Season, but this nicely realised little fantasy performed by a troupe of enthusiastic youngsters was a lovely addition.

This Roald Dahl play with music is loyal to, and conscious of, its source material and is narrated by two very involved narrators, the gentle, and smiling Imogen Bates and the beautifully spoken, highly animated Jana Haering - who also provides ukulele accompaniment.

Leo Rimmer, in the title role, makes a likeable James and is an engaging hero.

Australia Day

By Jonathan Biggins. New Theatre. November 14 – December 16, 2017

In the imaginary town of Coriole, a committee of six has the task of organising the annual Australia Day Celebrations. They are character types one might find among the members of any organisation, country or city - an aspiring politician, a green feminist, a redneck denialist, a token ‘new’ Australian. To put them together on the Australia Day Committee of a small country town provides the basis of comic satire, for which playwright Jonathan Biggins is well known.

There’s Something About Mary(s)

Written by Cassie George and Michael Mandalios. Musical Direction by Luke Volker. Studio 188 Ipswich. November 18, 2017

After seeing some tragically untalented cabaret performers in my life, I admit to approaching There’s Something About Mary(s) with some trepidation. Thankfully, performer Cassie George and musician Luke Volker presented a top-class, rib-tickling and energetic act. It was everything you want from a cabaret show.

Palace of Varieties

Adelaide Repertory Theatre. Arts Theatre. November 16-25, 2017.

What a delight it is to go the theatre and to be thoroughly entertained. If you are a fan of hilarious skits, a sing-a-long, melodrama and the odd dirty ditty, then look no further than ‘The Rep’s’ latest offering, Palace of Varieties.

Director Pam O’Grady knows her genre well and drains every laugh from the attentive and co-operative audience. With so much going on, mistress of ceremonies Penni Hamilton-Smith does a fine job to steer the night’s festivities, her sharp wit and improvisational skills on full display.

Lonely People Are Always Up in the Middle of the Night

Written and directed by Hila Ben Gera. La Mama Explorations. La Mama Courthouse, Carlton VIC. 18 – 20 November 2017

Six talented young actors give us six lonely people in a series of linked two-hander scenes.  It’s more sketch dramedy than a ‘play’, but it holds together in Short Cuts mode.  There is light and shade, changes of pace and even style.  Some of the sketches are funny in a ‘that’s so true’ sort of way, some are sad and awkward, and a couple perhaps outstay their welcome.

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