Reviews

Secret Bridesmaid’s Business

By Elizabeth Coleman. Liverpool Performing Arts Ensemble. Directed by Johnathon Brown. Casula Powerhouse. 19 – 22 October, 2016.

It says something about how good a show is when you don’t feel like you’re watching actors on stage but instead watching real life. Such was the high calibre of LPAE’s Secret Bridesmaid’s Business.

A bride, her mum, and her bridesmaids are in a hotel room the night before the big day. Not everything goes to plan. What happens over the course of the night is at turns funny, sad, and heartfelt - but mostly funny, and even the groom pops in.

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Written, designed, directed & performed by Robert Lepage. English translation Louisa Blair. Dramaturg Peder Bjurman. Ex Machina company. Melbourne Festival. Arts Centre Melbourne, Playhouse. 19 – 22 October 2016.

Robert Lepage is alone on stage for two hours – two hours that are never less than engrossing and absorbing – and also sometimes very funny and sometimes very angry and at other times very, very sad.  Although he talks us through his childhood memories and beyond, his show is, really, ‘about’ memory – that is, how our memories are shaped, formed and remain via context internal and external. 

The Wedding Singer

Music: Matthew Sklar, Book: Chad Beguelin (Lyrics) & Tim Herlihy. Hornsby Musical Society. Hornsby RSL. October 12 -22 2016.

Hornsby Musical Society’s The Wedding Singer is a cube of bright 80s-era romcom fluffiness. The bright set, costumes, and of-the-era pop score of original tunes make for a pleasing night.

A Streetcar Named Desire

By Tennessee Williams. La Boite. Director: Todd McDonald. Roundhouse Theatre, Kelvin Grove, Brisbane. 15 Oct – 12 Nov 2016

Theatre directors around the world continually look for new ways to interpret the classics and Tennessee Williams’s work is no exception. Over the years his Pulitzer-prize winning A Streetcar Named Desire has been pushed and pulled through all sorts of configurations; from being performed by an all black cast, a multi-racial cast, to drag troupes and even The Simpsons. Every major actress at some time in their career has had a stab at Blanche DuBoise, one of the theatre’s greatest tragic characters.

Always ... Patsy Cline

Created and originally directed by Ted Swindley. HIT Productions. Touring director: Denny Lawrence. Musical Director: Ross Sermons. Theatre Royal, Hobart 18 October; Princess Theatre, Launceston 20th October; Devonport Entertainment and Convention Centre, 21st October 2016

What is a legend, and why? Always ... Patsy Cline has been one of the most produced musicals in America and has also been enjoyed internationally by audiences in Canada, the UK and Australia. This new production directed by Denny Lawrence is completing an Australia-wide tour. The warmth of the polished production, starring Courtney Conway as Patsy Cline and Mandi Lodge as Louise Seger is immediate and all encompassing, but the secret must be the enduring music of Patsy Cline.

 

Othello

By William Shakespeare. Directed by Peter Evans. Bell Shakespeare Company. The Playhouse, Canberra Theatre Centre. 14-22 October, 2016, then The Playhouse, Sydney Opera House, 25 October – 4 December.

This is a powerful Othello with three exceptional performances at the heart. Yalin Ozucelik’s Iago and Elizabeth Nabben’s Desdemona were excellent, but Ray Chong Nee was remarkable. His anger and anguish are utterly real, and he was visibly shaken at the curtain call.

Mary Poppins

Based on the book by P.L. Travers and the Walt Disney Film. Music and Lyrics by Richard M. Sherman and Robert B Sherman. Book by Julian Fellows. New Songs by George Stiles and Anthony Drewe. Willoughby Theatre Company. The Concourse Theatre, Chatswood. October 15 – 30, 2016

Willoughby Theatre Company’s Mary Poppins is a joyous celebration of musical comedy on the community theatre stage.

Adapted from the classic Disney film, with its touching theme of healing a damaged family, thanks to the intervention of the beloved mystical nanny, it's a well-loved classic with instant audience appeal.

Wicked

Music and Lyrics by Stephen Schwartz. Book by Winnie Holzman. Based on the novel by Gregory Maguire. Directed by Shaun Rennie. Free-Rain Theatre Company. The Canberra Theatre. 19 – 28 October 2016.

“I can’t help it, whenever they hit those long high notes I tear up,” said a young woman behind me, pretty much summing up the audience reaction. Free-Rain’s Wicked has all the polish and spectacle of the Sydney production at a fraction of the cost. If anything, it benefits from more talent and less annoying cameo. There’s plenty of stage magic here courtesy of background projections, theatrical smoke and a glorious lighting design by Phil Goodwin, culminating in the spectacular climax of Defying Gravity.

The Pleasure of Sad Songs

Written and performed by Leah Cotterell. Musical Direction and piano: Steve Russell. Judith Wright Centre, Brisbane. October 14 & 15, 2016

Presented as a one woman cabaret show with piano accompaniment and a selection of slides as a backdrop, this is a depiction through monologue and song of Ms Cotterell's experiences of troubled family life and its aftermath. One of the motivations behind her return to the stage is also to further her academic qualifications with the accent on mental health, the system and to reflect on her life's journey, in particular the consequences of caring for her mentally ill mother and brother.

Jesus Christ Superstar

Music: Andrew Lloyd Webber. Libretto: Tim Rice. Ipswich Orpheus Chorale. Director: Miranda Selwood. Musical Director: Greg Wilson. Ipswich Civic Centre, Ipswich. 14-16 Oct 2016.

Feminists would have been in seventh heaven with Orpheus Chorale’s production of Jesus Christ Superstar where major traditional male roles were sung by women - Judas and Annas. It was, as I overheard an audience member saying at interval, a “new age” production and that concept was followed through to the costumes which were street wear; jeans and sneakers, t-shirts, hoodies and mobile phones. A big screen TV even made an appearance in the second half.

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