Reviews

Boy Zoned is a new juke box musical, making its premiere at FringeWorld. It features Boy Zoned, the hottest boy band cover band in the world, as they undertake their “huge” stadium world tour.

A parody of boy bands of the 90s, it is very funny, but also features amazing harmonies, excellent singing and all of your favourite 90s boy band dance moves.

It’s almost dawn – on stage - as our drag queen narrator teeters on stage to begin her monologue.  The voluminous red wig, the sweeping false eyelashes, the dramatic make-up with a slash of lipstick are all the classic drag signs – complicated by a beard.  The stunning elegance of the simple evening dress is just a little undercut by the near cliché challenging aggression – intended to shock, to forestall criticism and delivered full throttle in a whiskey-and-cigarettes snarl – of booze, drugs and lots of sex.

This play is a unique experience for the audience as it is invited to absorb the emotions and storytelling completely by the spoken word. There is no managed stage movement at all.  The two characters, Melissa and Andrew, met in childhood and we follow their lives and dreams from notes, letters and cards that they wrote right through to their twilight years. We engage with their dreams and disappointments, their awkward adolescence, their mature misgivings and, of course, their many missed opportunities.

Cotton Wool Kid is a roller coaster of emotions, a tenderly crafted story that is happy to turn the audience upside down without warning. A story of love and loss, where things can change in a moment, where the unlikely is plausible, yet the story is completely believable.