Reviews

Salty

By Shannan Lim, Jayde Harding and Tye Norman. Normal Children / Fringe World. Theatre Underground, State Theatre Centre of WA. 20-25 January 2017

Salty is rooted in Singapore-Malay mythology, with the title based on the Singaporean belief that salt is the currency of the afterlife.

Written and performed mostly by Shannan Lim (Jayde Harding and Tye Norman are co-writers), Salty is a play cycle based on folk tales – given a modern context and personal twist.

In “Toyal”, a lonely widower keeps a stillborn baby – but Toyal can move and think and just wants to be loved. Shannan Lim plays the baby with energy and verve.

Springsteen

Written and directed by Gabriel Bergmoser. Bitten By Productions. At Tuxedo Cat Melbourne. January 25 – February 4 2017.

Bitten By Productions presents Springsteen, only in part a biography of a living legend of Rock’n’Roll, Bruce Springsteen. Writer and director Gabriel Bergmoser didn’t set out to capture the life of one of our most celebrated musicians in it’s entirety; to do so would be impossible. Instead he cleverly constructed a play with a series of six vignettes, each one capturing a moment in time before the release of six major Springsteen albums spanning many decades.

Four in Fifty: A Mini Musical Marathon

By Nick Choo. Directed by Justin Crossley. Hand in Hand Theatre. FringeWorld. The Laneway Lounge, Perth WA. 24-28 Jan 2017

Malaysian composer Nick Choo makes his FringeWorld debut with this classy little show featuring four very short musicals in concert form.

Accompanied by the personable Nick Choo himself, who gives a little background to each piece, extra musical depth is added by Emily Gelineu on violin.

I Hate You My Mother

By Jeanette Cronin. Real Harpy and White Box Theatre, in association with Red Line Productions. Old Fitz Theatre (NSW). January 24 – February 11, 2017

Jeanette Cronin, an edgy, unsentimental actor who I’ve long admired, is turning into a productive playwright. This latest work though is more a showreel of vignettes than a cohesive play.

Huff

Playwright/Performer: Cliff Cardinal. Native Earth Performing Arts (Canada). Sydney Festival. Australian Exclusive. Director/Dramaturg: Karin Randoja. Seymour Centre. 24-28 January, 2017

Growing up on an indigenous reservation in Canada is not much different, it seems, from growing up on similar reservations in other countries. Cut off and isolated from the mainstream by legislation, distance and lack of opportunity, some adults turn to drink and abuse. Kids ‘huff’ (sniff) gasoline, sneak porn magazines and find a secret place to read them – in this case, an abandoned motel – a place to hide from the realities of a dysfunctional world. But wherever they go the ‘Trickster’ – bad luck, misfortune, adversity – finds them.

In the Shadow

Written & Directed by Anne Blythe- Cooper. Music by Louella Jury, lyrics by Anne Blythe- Cooper. Presented by Reimagined Histories. At the Cascade Brewery theatre, from January. Season is all of 2017.

Theatre takes many forms, and appears in many different venues. Historical play In the Shadow is performed in a brewery. Written, directed and performed by Anne Blythe- Cooper, In the Shadow is a short but powerful piece about a colonial identity, Peter Degraves. The Cascade Brewery and the Theatre Royal in Hobart are two of his better known edifices. His wife Sophia was in his shadow, but is really the subject of the play.

Odd Man Out

By David Williamson. Ensemble Theatre, Sydney. Director: Mark Kilmurry. 24 January – 18 March 2017

According to Wikipedia, this is the 48th play that David Williamson has unleashed upon us. Not to mention his 24 or so screenplays. Odd Man Out is due to run for two months at the Ensemble with many shows already booked out. And with news that his 2015 play Rupert could well be getting the Hollywood mini-series treatment, the 74-year-old playwright has never been more, well, hot.

Gender Spanner

Directed by Jessica McKerlie. Fringe World. Rigby’s Bar, Perth WA. 22-25 Jan, 2017

Jessica McKerlie’s one person show Gender Spanner is billed with the tag lines “Are you a man? Are you a woman? Are you sure?”

Honk JR

By George Stiles and Anthony Drewe. Young Australian Broadway Chorus. The Lawler at Southbank Theatre Melbourne. January 18-28, 2017

Presented by the Young Australian Broadway Chorus, the musical theatre program of Stage School Australia, this is a lively show with great ensemble numbers and some strong solos, suitable for the whole family.

This feel-good musical is based on the Hans Christian Andersen tale, The Ugly Duckling. We follow the self-discovery journey of Ugly, David Duketis, born into a family of farmyard ducks. He is clearly different, but as the story progresses, he and all the other animals learn that is something to celebrate.

Fairybread

Book by Ben Thomas and Jackson Used, music by Jackson Griggs and lyrics by Cal Silberstein. Fringe World / sandpaperplane. Bento Box, Noodle Palace, Northbridge, WA. Jan 20-22, 2017

At first Fairybread appears to be about a group of friends having a 'last supper' before they part ways for a while. Gradually it is revealed that not all is what it seems in this complex and clever new musical by sandpaperplane.

With a book by company founders Ben Thomas and Jackson Used, music by Jackson Griggs and lyrics by Cal Silberstein, this show explores keeping in touch when one doesn’t know what to say.

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