Reviews

Present Laughter

By Noël Coward. WAAPA Third Year Acting Students. Directed by Vivian Munn. The Roundhouse Theatre, Western Australian Academy of Performing Arts, Mt Lawley, WA. 16-22 June, 2017

WAAPA’s Third Year Acting Students present Noël Coward's Present Laughter, in a gorgeous looking, charming production, that is clever and engaging.

Kelly Fragon has designed an attractive pre-war set that is lavish and luxurious, with beautiful attention to detail. Costuming (a team led by Katy Rasaiah and J. Orman) perfectly sets the era, and we are transported to 1939 to a world that is somehow devoid of rising war concerns and tensions - a world that probably never existed - escapist and elite.

The Complete Works of William Shakespeare (Abridged)

By Adam Long, Daniel Singer, and Jess Winfield. Candlelight Productions/Mirth Hall. Metanoia Theatre at The Mechanics Institute, Brunswick (Vic). June 8 – 18, 2017.

This production claims to perform all of Shakespeare's 37 plays (well, technically) in an evening by only three actors.  Bouncing into the spotlight, David Todman, Shane Henry and Trelawny Kean (playing themselves in superb ensemble) threw themselves into the challenge like a trio of superbly-talented kids in a playground.  

42nd Street

Music by Harry Warren. Lyrics by Al Dubin. Book by Michael Stewart and Mark Bramble. Directed by Jason Langley. The Regal Theatre, Subiaco, WA. June 17-24, 2017

The Western Australian Academy of Performing Art’s annual ‘big’ musical at The Regal Theatre is many people’s only contact with WAAPA students before they graduate. This very impressive, very tight production of 42nd Street showcases WAAPA talents beautifully, and is a wonderful public relations exercise as well as being a top-notch production.

Rosencrantz & Guildenstern Are Dead

By Tom Stoppard. National Theatre Live from The Old Vic, London. Nova Cinemas, Carlton VIC & other venues nationally. 24 June – 2 July 2017

Do we ever quite know who Rosencrantz and Guildenstern are?  Or like King Claudius and Queen Gertrude in Hamlet, are we ever quite sure which is which?  Why them?

The Haunting

Adapted from Charles Dickens works by Hugh Janes. Prince Moo Productions. Directed by Jennifer Sarah Dean. Athenaeum Theatre, Melbourne. June 14 – July 1, 2017.

The Athenaeum is the perfect Theatre for this brilliantly staged work.   All production values are in place to facilitate suspension of disbelief and immersion in the creepy ‘old world fear’ of a ghostly apparition.   The marvelous picture book set by John Kerr with lots of quirks and illusions is really the fourth character of this stunningly eerie production.

Heathers The Musical

By Laurence O’Keefe and Kevin Murphy, based on the film written by Daniel Waters. Miranda Musical Society. Sutherland Memorial School of Arts. June 16 – 25, 2017.

Heathers is a little bit like Grease or Disney’s High School Musical franchise, but way nastier, blacker and dirtier.

As reported in an earlier Stage Whispers interview, the content of the show has polarized Miranda’s regular audience, but a packed, mostly younger opening night house enthusiastically lapped every moment up.

Cyrano De Bergerac

By Damien Ryan, after Edmond Rostand. Sport for Jove. York Theatre, Seymour Centre. June 15 to 24, 2017.

Sport for Jove’s acclaimed outdoor production of Cyrano in 2013 here returns, now indoors and well spread across the thrust stage of Sydney’s York Theatre, Seymour Centre, before touring beyond.  The cast is mostly the same but director Damien Ryan now also fills the shoes of Yalin Ozucelik in the lead.

The King and I

Music: Richard Rodgers. Book & Lyrics: Oscar Hammerstein II. Based on Anna and the King of Siam by Margaret Landon. Savoyards. Director: Johanna Toia. Musical Director: Benjamin Tubb-Hearne. Choreographer: Carlie McEachern. Iona Performing Arts Centre, Wynnum, 17 Jun – 1 Jul 2017

The magic of Rodgers and Hammerstein’s The King and I is in evidence everywhere in Savoyards new production of their timeless classic, thanks to the strong casting of the principal roles and by the use of the original script and score.

A Night to Remember: The Ghetto Cabaret

Written & Directed by Galit Klas. Dramaturg Evelyn Krape. Musical Director Tomi Kalinski. Design Yvette Coppersmith. Presented by The Kadimah & the Jewish Holocaust Centre. The Kadimah, Elsternwick VIC. 15 – 25 June 2017

It’s 1941.  A Jewish ghetto somewhere in Eastern Europe.  A famous example (there were a thousand ghettos): the Warsaw Ghetto - four hundred thousand Jews packed into three and a half square kilometres.  In the face of constant fear of execution, deportation, mistrust of their own Nazi-approved leaders, their Judenrat (Jewish Council), hunger, the stench of bad sanitation disease and simple, straightforward despair, ‘culture’ - art, music, literature and theatre continues – must continue.

Midwinter Murders

“Murder at Hogwarts” (A Harry Potter murder mystery). Bakehouse Theatre, Adelaide. Season 8th June- 27th July 2017, weekly.

I have always been a fan of improv theatre, having spent much of my youth playing theatresports, but combine this with Harry Potter and you’ve got to be on a winner.

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