Australian Made Sydney Festival in 2021

Australian Made Sydney Festival in 2021

Sydney Festival artistic director Wesley Enoch and his team have realised an entirely “Australian made” program that will manifest throughout the city through 130 events across three weeks from 6–26 January.

From Parramatta to Chippendale, Sydney will provide the canvas for 24 days of engaging and immersive events, exhibitions, workshops and talks. After a year hallmarked by uncertainty, the 2021 program reflects a commitment to, and celebration of, the very best Australian art, artists and the audiences who love them.

With public health and audience safety of paramount concern this year, much planning has going into ensuring that the 2021 festival is a Covid-safe environment. All 130 events and festival venues will be deploying Covid-19 Safety Plans and implementing all mandatory Department of Health regulations including capacity and social distancing measures, as well mandatory registration where required.

In response, this summer’s Sydney Festival is set to embrace the outdoors like never before, with a new Covid-safe pop-up stage at Barangaroo Reserve. At an impressive 32 metres wide, The Headland stage (pictured above)will be decked out with twin side screens offering close-up views of performers. Set against the backdrop of Sydney Harbour, the stage will feature the festival’s biggest theatrical performances and companies – from Bangarra to Sydney Symphony, Paul Mac to Paul Capsis – over 16 nights for just $25 a ticket.

The Headland stage will play host to The Pulse, a new work by Australian circus company Gravity & Other Myths which brings together 30 acrobats and a 30-strong choir into a mass spectacular; Bangarra Dance Theatre will present Spirit: A Retrospective 2021 – a powerful collection of dance stories taken from the company’s 30-year repertoire; while electro-pop icon Paul Mac and a choir of Sydney singers will pay homage to musical legend George Michael in the celebratory The Rise and Fall of Saint George.

Image: Bangarra Dance - Spirit: A Retrospective 2021

Elsewhere in The Headland program, Sydney Symphony Orchestra will premiere The [Uncertain] Four Seasons – a work where climate data is harnessed to reimagine Vivaldi’s Four Seasons in a collaboration between composers, designers and scientists; and the Paul Capsis and iOTA will unleash RAPTURE: a song cycle of Desire and Ecstasy, Murder and Mayhem a contemporary song cycle spanning ecstasy, godlessness, love and pain, featuring the songs of Megan Washington, Deborah Conway, Deborah Harry and The Kinks. Completing The Headland program is Songs of Don, which sees Katie Noonan, Christine Anu, Suze DeMarchi and Emily Wurramara join forces to pay tribute to one of Australia’s greatest musical troubadours, Don Walker.

Created specifically for the festival in direct response to Covid restrictions, The Headland stage is designed to bring the very best Australian performing arts to as many people as possible this summer in the safest possible way, with each ticket securing audience members a dedicated, socially distanced spot.

“Sydney Festival 2021 is all about kick starting the Australian arts sector by injecting more than $6million into the pockets of those who have done it tough,” says Enoch.

“Over 1000 artists, companies and venues have come together in a rare sign of solidarity to produce and promote an All Australian Made program that will showcase our country’s creative, cultural and artistic excellence. Our internationally acclaimed, homegrown talent have found themselves grounded in 2020 but at Sydney Festival 2021 you can see how the very best of the world can be in your own back yard. Our Covid Safe planning means there will be fewer tickets on sale for January so it’s get in quick and secure your ticket to bring your friends and family together to celebrate Sydney in Summer.”

Image: Katie Beckett as Evonne Goolagong. Photographer: Jamie James

Alongside the Barangaroo program, the festival’s headline events include: Sunshine Super Girl – the theatrical celebration of Wiradjuri woman Evonne Goolagong’s life story which will see Sydney Town Hall transformed into a tennis court; and The Last Season, a new work of dance theatre by Force Majeure that explores human survival and environmental destruction. Inspired by Vivaldi’s The Four Seasons, The Last Season features Pamela Rabe, Olwen Fouéré and Paul Capsis alongside a cast of 15 young performers.

Circus ensemble Circa returns to the festival with a new intimate love letter to humanity, HUMANS 2.0. Co-written by Tasmanian playwright Nathan Maynard (Palawa) and Aotearoa writer Jamie McCaskill (Māori), Hide the Dog is a trans-Tasman creation. Directed by Isaac Drandic (Noongar), this world premiere production celebrates friendship, culture and the world’s last Tasmanian Tiger.

Rounding out the headline program are H.M.S. Pinafore director Kate Gaul’s wild reimagining of Gilbert and Sullivan’s masterpiece that puts a 21st-century spin on the song-strewn mockery of class, patriotism and the rise of unqualified people to positions of power; and cult rock musical classic Hedwig and the Angry Inch starring Hugh Sheridan, which will play at the Enmore Theatre.

Image: H.M.S. Pinafore

Free and Family

Groundswell is a new work by Matthias Schack-Arnott, an artist who fuses sound and movement into evocative experiences. A free, large-scale immersive installation outside Customs House in Circular Quay, Groundswell is an interactive artwork that responds to every step you take. As audiences take to a raised platform and shift their weight, thousands of illuminated balls below create a visual and sonic response to individual motions, ensuring each moment is different from the last.

Sydney Symphony Under the Stars returns to Parramatta Park. Conductor Benjamin Northey takes up the baton for a program ranging from the classics of the 18th and 19th centuries to the great film scores of the 20th century. And nothing – not even a global pandemic – will muzzle the famous cannons of Tchaikovsky’s 1812 Overture.

To understand another person, try walking a mile in their shoes. A Mile in My Shoes is a unique pop- up store that lets you do just that. Entered via a giant shoebox, the space invites visitors to try on a pair of shoes that belong to someone else (a refugee, a war veteran or a surgeon) and to listen to their story. It might be a tale of loss and sadness, hope and love, of odds overcome. No matter whose shoes you walk in, A Mile in My Shoes will take you further than you ever imagined.

In Under the Madhan, Wiradjuri dancer Jo Clancy shares a series of stories about caring for Country. Mixing puppetry, song and movement, this family show will see audiences learn dances and Wiradjuri words with Jo under the shade of the gifttree on a magical set designed by the creators of visual theatre, Erth.

A buzzy family circus adventure, A Bee Story follows Queen Bee and Worker Bee’s adventures rebuilding their hive after a bushfire. Created and directed by Robbie Curtis (Cirque du Soleil, Circus Oz) with musician and performer Lizzie McRae, this family show explores sustainability and environmentalism via acrobatics, dance and live music.

Image: A Bee Story

In other bee-related programming, Dead Puppet Society (Laser Beak Man ’20) returns to the festival with HIVE MIND – a new installation that sees large floating bees arranged among the trees at Vaucluse House to inspire a sense of wonder in the natural world. A constantly moving installation that brings these tiny insects to life using movement, sound and light, HIVE MIND uses the movement of the wind as the puppeteer, highlighting the vital role played by bees in preserving the delicate balance of our ecosystem.

Blak Out

Sydney Festival’s Blak Out program once again foregrounds First Nations voices with stories and performances from First Nations communities from across Australia and New Zealand. Featuring the aforementioned Sunshine Super Girl, Bangarra’s Spirit and Hide the Dog, the 2021 Blak Out program is a richly diverse collection of dance, theatre, music, visual art and performance.

Returning for the third time and cementing a new tradition of cleansing and consideration, The Vigil returns to Barangaroo Reserve, offering an opportunity to gather together and experience a night of performance and reflection on the eve of Australia Day. Taking place the morning after, the WugulOra ceremony celebrates the strength and resilience of Australia’s First Nations peoples through dance and song.

Didgeridoo virtuoso William Barton and violinist Véronique Serret return with Heartland an invitation into landscape, culture, language and Country. Based on the poetry of Aunty Delmae Barton (William’s mother), Heartland blends traditional songlines and modern storytelling to create a meditative work inspired by the Australian landscape and the power of connection to place.

Image: Heartland

Audiences are invited to take a stroll through Parramatta Park to discover In Situ, a collection of site- specific dance works telling First Nations stories, choreographed by dancers including Wakka

Wakka/Kombumerri woman Katina Olsen and Wiradjuri woman Emily Flannery. This roving project was conceived by Western Sydney’s Dance Makers Collective (The Rivoli ‘20) with the cultural consultation of Darug elders Peta Strachan and Julie Webb.

Casey Donovan brings her powerhouse vocals and rock star band to the City Recital Hall stage for Casey Donovan in Concert. Together with Daniel Edmonds (musical director), Casey will present a songbook of iconic hits – featuring the music of Joni Mitchell, Eva Cassidy, Adele, Ed Sheeran, Beyoncé and more.

Australian lyrebirds have a stunning ability to mimic the sounds of their surroundings; there isn’t a song they can’t sing. But the lyrebird also has an authentic identity, something uniquely its own. Inspired and intrigued by these behaviours, choreographer Jasmin Sheppard (Bangarra Dance Theatre’s Patyegarang) has created The Complication of Lyrebirds, a contemporary dance work questioning expectations of what it means to look or sound Aboriginal.

Erth return to Sydney Festival with a two-part project which includes Duba at Carriageworks and Badu at the Maritime Museum. At Carriageworks you’ll find a guided tour like no other; Duba, meaning ‘ground’ in Sydney language, leads you into the living underworld for an encounter with the seldom seen. Puppetry-based, this multi-sensory experience is filled with creations inspired by work with leading international conservation zoos. Meanwhile, the Australian Maritime Museum will host another Erth experience designed just for families. Badu, meaning ‘water’ in Sydney language, is a journey into the wild wonders of our ocean and will feature beautiful puppetry, visual effects and multi-media.  


Switch off your dating apps, forget the nightclubs and tune in to a thousand-year practice of courtly Persian love poetry in Dorr-e Dari: A Poetic Crash Course in the Language of Love. Through intimate storytelling and epic ballads from the streets of Kabul, Tehran and Quetta via Western Sydney, your hosts Bibi, Jawad and Mahdi will guide you on the path to love. Inspired by the tradition of private recitals and ‘curtain shows’ performed throughout the Persian world, Dorr-e Dari marks the festival return of theatre company PYT Fairfield (Tribunal ‘18).

Image: Maureen - Harbinger of Death

In Maureen: Harbinger of Death writer and performer Jonny Hawkins pays homage to his late friend, Maureen by sharing her acerbic life advice. Framed by Jatz crackers, velvet and cigarettes, Maureen invites audiences into her bohemian living-room for a journey of storytelling. Co- created with director Nell Ranney, and inspired by Hawkins’ real-life friend, a self-described ‘working-class glamour queen’, Maureen: Harbinger of Death redefines our concepts of older women, honours the bounties of inter-generational relationships and pays tribute to kindness, individuality and dignity.

Thirty-year-old Fatima, under pressure to marry and have with children, seeks glory at the Queen Lebanon Australia pageant in a bid to gain her prospective in-laws’ respect in Queen Fatima! Written by the acclaimed James Elazzi (Lady Tabouli ’20) and directed by Paige Rattray, Queen Fatima! is a comedy about celebrating our differences.

Addiction, corruption, environmental destruction. At best it seems our species has an irresistible need to self-harm. At worst, we seem bent on wiping ourselves out. Provocateur Mitch Jones (aka Captain Ruin) imagines our dystopian future in AutoCannibal, a visceral blend of clowning, performance art and physical theatre that takes us into a world in which only one human survives.

Portable toilet engineer Kenny Smyth is proud of his job, despite what his dad and the public may think of him. In this salute to decency and hard work, KENNY (adapted for the stage by Steve Rodgers from the hit film of the same name) reminds us that all that glitters is not necessarily gold.

Seymour, Hear More

Sydney Festival takes over Chippendale’s Seymour Centre with a program of Australian made music, ranging from genre-defying original works to old favourites performed in new ways.

Broadway and West End star Philip Quast takes us on a journey through the songs and stories of his life in Is This All Then? From his parents’ dusty turkey farm in Tamworth to the dressing rooms of glittering theatres worldwide, the star of musicals, plays and film returns to the Seymour Centre – where he first trod the boards in his professional Sydney debut Candide – with opera singer and pianist Anne-Maree McDonald to find an answer to the question, Is This All Then?

Image: Philip Quast and Anne-Maree McDonald in Is This All Then?

Afternoon Tea at Six blends traditional Persian classical music with Western jazz. For this performance, Hamed Sadeghi’s Eishan Ensemble is joined by the vocals of Dharawal woman Sonya Holowell. Their collaboration delivers entirely original music with segues into improvisation.

Rewired: Musicals Reimagined by Hayes is the latest production by Hayes Theatre Co. Directed by Richard Carroll Rewired sees Genevieve Lemon, Toby Francis, Sheridan Harbridge, Ryan Gonzales, Max Lambert and Elenoa Rokobaro rework a selection of classic musicals.

Jazz composer Jeremy Rose and the 8-piece Earshift Orchestra return to Sydney Festival with Disruption! The Voice of Drums – a concert-length tribute to the power of the drum. Featuring drum virtuosi Simon Barker and Chloe Kim (Barker’s Korean-born protégé), Disruption! will sweep audiences from ancient ritual to the protest movements of today.

Allowed and Local

In 2021, Sydney Festival invites audiences to share in the joy of live music with ALLOWED AND LOCAL – the festival’s takeover of some of Sydney’s music venues. From The Lansdowne to the Factory Theatre, Tokyo Sing Song to The Vanguard and Low 302, ALLOWED AND LOCAL will feature label takeovers by Dew Process and Of Leisure along with performances by Alice Ivy, HANDSOME, Sui Zhen, Urthboy, Emily Wurramara, Birdz, E^ST, Ngaiire, Christine Anu, Annie Hamilton and many, many more.

The full ALLOWED AND LOCAL program will be announced on November 23.

Opera & Classical Music

In Universal Woman, the Australian Brandenburg Orchestra celebrates the creative achievements of Hildegard von Bingen, the twelfth-century. A Sydney Festival exclusive, Universal Woman takes place amid the acoustics of St Mary’s Cathedral Crypt, with five performances led by Brandenburg musicians on period instruments as well as singers from the Brandenburg Choir.

Image: Australian Brandenburg Orchestra 

In a virtuosic kaleidoscope of music, 12 Hands 6 Grands will see audiences experience six of Australia’s best pianists playing six grand pianos at Sydney Town Hall. Here, Piers Lane, Artistic Director of the Sydney International Piano Competition, has invited six of Australia’s best female pianists to join in this rare collaboration. Beginning with the genius of Bach, the program also features past and present Australian composers and a generous helping of Latin dance rhythms. This collaborative performance of duos, trios and quartets will culminate in an astounding, musically complex performance by all six pianists – unleashing the sheer power and sublime expressive beauty of concert grand pianos.

Musical Microparks invites audiences to step outside for a pop-up musical and performative walking tour of Erskineville, with guest artists from Somalia, China and Australia. In parks, courtyards and unexpected pockets of green, Ensemble Offspring (Birdsong at Dusk ‘20) has paired up with diverse special guests for six unique, cross-cultural duets – sharing universal stories told from the heart.

Future Remains presents a double bill by Sydney Chamber Opera featuring Leoš Janáček's Diary of One Who Disappeared and the world premiere of Huw Belling's Fumeblind Oracle. Belling's composition continues the story of the dangerous woman at the heart of Janáček's work – a partner piece in which the lone woman moves from love poetry to god-guided violence.

Struggle, exertion...where do they first show up in the body? In the breath. And that’s how Jane Sheldon’s poem for a dried-up river begins: in summer darkness with the sounds of breathing floating over chirping cicadas. Gradually, two sopranos emerge from the soundscape, their labour divided – instrument and words.

Presented in conjunction with Sydney Chamber Opera, Sheldon’s performance melds opera, poetry, physical theatre and art installation in a mesmerising, unique combination.

Sydney Festival’s Salon Series will also return for a fourth year, bringing together music and architecture for a series of intimate concerts in unique spaces, including the Vestibule of Sydney Town Hall and historic Vaucluse House. The full line-up of musicians and venues will be announced on November 23. 0405 818

Lord Mayor Clover Moore concluded that the pandemic had shaped this year’s Festival and made it more important than ever.

“The Australian arts sector has suffered badly during the pandemic and I think many people have come to appreciate and value just how much it enriches our lives. This year’s Festival will not only bring relief and joy to audiences as we leave the pandemic behind, it represents a vote of confidence in the Australian arts and cultural sector.”

“Sydney Festival 2021 will showcase new Australian art with bold contemporary programming that reflects the spirit of our city. We are proud to continue our role as the Festival’s founding principal supporter, in partnership with the NSW Government.”

Sydney Festival 2021

6 – 26 January


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