Reviews

Les Misérables – The Arena Spectacular

Presented by Cameron Mackintosh. Music: Claude-Michel Schönberg. Lyrics: Herbert Kretzmer. Original French text: Alain Boublil and Jean-Marc Natel. Additional material: James Fenton. Directors: James Powell and Jean-Pierre Van Der Spuy. Musical Director: Adrian Kirk. Rod Laver Arena, Melbourne. May 14 – 25, 2025.

As a teen, I loved collecting cast albums of new musicals. I first encountered the Les Misérables original London cast album at Brash’s music store when I was 15. Listening on the headphones the sweeping, cinematic score and stirring and unapologetic lyrics astonished me. Returning home I regretted not buying the album. However, many of the melodies lingered in my mind causing a very sleepless night. I had to hear these incredible songs again! The next day I returned eagerly to the store to buy the ‘double cassette’.

Henry 5

By William Shakespeare. Bell Shakespeare. Arts Centre Melbourne, Fairfax Studio. 11 – 25 May 2025

This ‘patriotic’ play presents contradictions in the character, actions and decisions of recently crowned young King Henry.  Director Marion Potts and her cast don’t soften them.  Henry has much to prove.  Despite claims that he has left his ‘wildness’ behind and that the nation is ‘blessed in the change’, Henry has his roistering past to live down and what better way than to go to war... 

Mayhem and Madness

Bittersweet Productions. Independent Theatre, North Sydney. May 16 & 17, 2025

Bittersweet is an efficient new company taking root in North Sydney’s historic, restored Independent Theatre with a mission to profile one act plays. There’s lots of available short plays apparently, given their popularity last century and their certain appeal today for those of us who can’t concentrate on long ones.

Dubbed Mayhem and Madness, these three playlets are all over in 90 minutes.

Love, Loss and What I Wore

By Nora and Delia Ephron. Tugun Theatre Company, Qld. May 9 – 31, 2025

Love, Loss and What I Wore is relatable.

Heaven

By Eugene O’Brien. Bitchen Wolf Productions. Qtopia Sydney’s Loading Dock Theatre. 14 - 31 May 2025

Mal and Mairead are a fifty something married couple returning for a wedding to the dreary Irish village of her childhood, the place now in much the same decline as her marriage. 

The Complete Works of William Shakespeare (Abridged)

By Adam Long, Daniel Singer and Jess Winfield. Cremorne Theatre, Queensland Performing Arts Centre (QPAC), Brisbane. 15 May to 8 June 2025

The Complete Works is the brainchild of the Reduced Shakespeare Company, an American touring company that took up near-permanent residency at London’s West End for nearly 10 years from 1996. And if ‘Anarchy in the UK’ is your comedy genre of choice, you will enjoy watching as three talented actors whiz through all of Shakespeare’s 37 plays in just under 2 hours.

Stephen Hough Performs Brahms

Sydney Symphony Orchestra. Concert Hall, Sydney Opera House. May 16 -18, 2025

As a teenager with Adonis good looks, Johannes Brahms helped support his family by playing dance music in the dockside brothels of Hamburg.  He premiered his own Piano Concerto No.1 at the age of 26, still uncertain about his skill at orchestration.

No Dinner for Sinners

Written by Edward Taylor. Directed by William McGreery-Rye. Presented by Centenary Theatre Group. Chelmer Community Centre. May 10 – June 1, 2025

Centenary Theatre Group served up a classic English farce with Edward Taylor’s No Dinner for Sinners, and the result was a satisfying comedic romp that delighted its audience with mistaken identities, escalating lies, and escalating absurdity. Under the meticulous direction of William McGreery-Rye, this production embraced the chaos of the script while maintaining enough structure to keep the story coherent and the laughs coming.

Humans 2.0

Creators: Yaron Lifschitz and Circa Ensemble. Presented by Arts Centre Melbourne and C!rca. Music: Ori Lifschitz. Lighting: Paul Jackson. Playhouse, Arts Centre Melbourne. 14- 24 May 2025

Lead image - Photographer: Lesley Martin

This company’s performance raises the bar of acceptable performance to dizzying heights. The dramatic opening gave the hint that this show is special. The ten performers use their bodies to create bustling artistic forms backed up with simple staging and costumes, and music and lighting so integrated into the movement that it became a scaffold for the daring physical feats.

Ordinary Days

Music and Lyrics by Adam Gwon. CODA, Company of Dramatic Arts. Directed by Kris Sergi. Studio One, Esme Timbery Creative Practice Lab, UNSW, Sydney. 15 - 24 May 2025

The University of NSW faculty is spread over a very, very wide area and there are no signs to Studio One. Where is it? Passing huge swimming and body-building facilities, shops and eateries, I eventually stumble on the Esme Timbery Creative Practice Lab and am directed down long steps to Studio One in the basement, and a first mention of Ordinary Days. There are no electronic programs working here because, as one student remarks: ‘we’re under a huge pile of bricks’.

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