Reviews

Black Light

Written and directed by Jada Alberts. Presented by Malthouse Theatre. Merlyn Theatre, Malthouse Theatre, 113 Sturt Street, Southbank,13 February – 17 March 2026.

This is a new play by award winning writer Jada Alberts. This text gives a very strong, beautiful and affirmative voice to Indigenous women and culture and involves a powerhouse of Indigenous women performers: real life sisters Rachael Maza (Aunty) and Lisa Maza (Mum), Tahlee Fereday (Bub) and Trisha Morton-Thomas (Nan). The story is set in Larrakia country (Darwin, NT) where Alberts was born and raised.

the worst of us.

By Emmett Aster (Creator/Performer). perhaps, theatre. Adelaide Fringe. Goodwood Theatre & Studios, Adelaide. 19 February – 08 March 2026.

the worst of us. is an intimate, tender tapestry wrapped around three stories founded in the human experience; it gently asks the audience to face their own imperfections and their own humanness through a lens of love and forgiveness.

The Soaking Of Vera Shrimp

By Alison Carr. Australian Premiere presented by Patch of Blue, Verse Unbound and Joanne Hartstone. Adelaide Fringe 2026. Judy’s, Holden Street Theatres. 17th February to 22nd March, 2026

Stepping through the door into Judy’s, the audience is immediately met by the star and the show has already begun before we take our seats. A modest sized room, filled only with a single wall of bookcases, jam-packed with office and scientific paraphernalia, and simple seating around the other walls comprises the very intimate performance space. There is no fourth wall in this solo show and the minimal audience is immediately drawn into the proceedings and continually encouraged to interact throughout the show.

George Orwell’s Animal Farm

By Van Badham. Conundrum Theatre Company. Directed by Claire Glenn. The Garage International @ Adelaide Town Hall, Adelaide. 18 February – 22 February 2026

With their home in Singapore, Conundrum Theatre’s vibrant production of George Orwell’s Animal Farm, part of the Adelaide Festival Fringe, was full of energy, heart and creativity. Adapted by Van Badham and directed and designed by Ruby Award winners Claire Glenn and Anthony Kelly, this 90-minute production, presented at The Garage International @ Adelaide Town Hall, provided the audience with the essence of Orwell’s political fable but propelled into the modern age with a sense of playfulness and potency.

Tonsils + Tweezers

By Will O’Mahony. Sharehouse Production Company. Old Fitz Theatre, Woolloomooloo NSW. Feb 17 – 27, 2026

Have you ever wanted to kill someone?

This unsettling question sets the tone for a soul-searching analysis that leaves audiences questioning their own values and the nature of human darkness. Tonsils + Tweezers, by playwright Will O’Mahony, blends sharp humour with emotional depth in a surreal black-comedy about friendship and the lingering impact of the past.

An Evening with Yotam Ottolenghi: Crowd Pleaser

Concert Hall, Queensland Performing Arts Centre (QPAC), Brisbane. 17 February 2026

FANE Australia’s slogan – ‘Live. On Stage. Unforgettable.’ – sums up the evening they presented with Yotam Ottolenghi at QPAC’s Concert Hall. This was a great example of celebrity audience engagement, the popular type of ‘stage show’ that this month also sees similar tours by other British-based celebrities such as Kevin McCloud and Sir Tony Robinson – perhaps our summer is their winter escape.

The Dress

Author/Producer: Alaine Beek. Co-writer/Historical advisor/Costume design & creation: Harry Quinert. Essence Theatre Productions. Director: Nigel Sutton. Werribee Park Mansion, Melbourne. February 15, 2026.

The Dress is a compelling 90-minute two-hander that remains something of a hidden gem in Melbourne’s west.

Holiday Snap

By Michael Pertwee and John Chapman. Cairns Little Theatre. Directed by Frank Joel. February 20th to 28th, 2026.

The setting for this enjoyable, fast-paced comedy is a time-share accommodation in sunny Portugal. However, things go dramatically wrong from the very start as the audience are subjected to a blitzkrieg of mistaken identities that become more complex as the play unravels.

Cyrano de Bergerac

By Martin Crimp, adapted from the play by Edmond Rostand. Artefact Theatre Co, Matthew Cox, Mark Yeates & Sarah Cuthbert. At fortyfivedownstairs. 12 February – 1 March 2026

What is the enduring appeal of this 1897 story so that it is told and retold?  A brilliant man – a wit, brimming with confidence, a poet eloquent in voice and writing, a fighter, a swordsman, hated by the jealous, admired by his friends – but inside he feels himself to be too ridiculously ugly to declare his love to the woman he adores.  And so, he makes love vicariously: on behalf of his rival, Christian.   it hurts but he is too much in love with Roxanne and with words to stop.  Is this a secret many men nurture in their hearts?

Robot Song

Written, directed, designed and produced by Jolyon James. Previously developed at Arena. Presented by Theatre Works and NCM. Theatre Works. 12 – 21 February 2026 – with some 11 am performances

An eleven-year-old girl, Juniper May (Adeline Hunter) receives a ‘petition’ that would devastate anyone.  It’s signed by her whole school.  It tells her that she looks like a robot and sounds like a robot.  And her classmates wish she had never been born.  Apart from the hurt and the nastiness, Juniper doesn’t get it.  What’s wrong with robots?  She loves robots.  Luckily for Juniper, she has wonderful (and well-resourced) parents…

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