Burrbgaja Yalirra 2

Burrbgaja Yalirra is Yawuru for “dancing forwards” and this production showcases artists who have performed in recent Marrugeku productions and allowed them to develop their own culturally informed contemporary dance works. There are three very different dance works on the program.

The first No New Gods, feature Filipinx performance artist Bhenji Ra, in a solo piece, co-choreographed with Javanese-Australian choreographer Melanie Lane, with dramaturgy from Rachael Swain. A light-footed and elegant performer, this piece spans a lunar eclipse, features Filipino stick fighting and warns of the dangers of failing to listen to the wisdom of the aunties. Unfortunately for me, Matt Cox’s admittedly stunning lighting design, was too low for this work, and even in the front row I was struggling to see all aspects of this performance, despite its obvious beauty, skill, and hard work.

Despite its dark themes, the second work, Bloodlines, is an easier piece to watch. Performers, conceivers, and co-choreographers Czack (Ses) Zero and Stanley Naloo tell of the brutal histories of slavery and kidnapping of South Sea Islanders brought to eastern Australia, as Torres Straight Islanders moved back and forth from the mainland mingling and interacting with the Kanak and Ni Vanuatuan labourers. An exploration of linked but varied customs, dance and language, this production also features the visually stunning set. Strong and dynamic performers - this is a fascinating watch. It was directed by Ghenoa Gela and featured dramaturgy and choreography by Miranda When.

The final piece is Nyuju, conceived co-choreographed and performed by Emmanuel James Brown (EJB) with co-choreography by Dalisa Pigram. EJB tells of his grandmother, Wangkatjungka artist Nyuju Stumpy Brown, who was one of the last nomads to walk out of the Great Sandy Desert. Dancing among her artwork, projected on to the floor, his dance channels the survival instinct of his ancestors and those living in Fitzroy Crossing now. A personal, emotive, and thoughtful work, its variety and personality make it icompelling to watch.

An excellent concept that makes for interesting viewing.

Kimberley Shaw

Photographer: Emma Fishwick