Chicago - Teen Edition
Bel Canto Performing Arts presents Chicago Teen Edition at the Old Mill Theatre featuring a cast of teens, aged 15 to 21, with only two cast members over 18. Slightly shorter than the traditional version, this version omits the songs “Class” and “A Bit of Good” as well as some of the more overt sexual references, but otherwise packs as much punch as the adult version.
George Boyd’s two level set is bare bones cabaret style, with Katharina Brieden’s lighting design allowed to shine. Costumes designed by Matilda Jenkins and Lyn Leeder evoke the black and sexy look of the Broadway revival, with perhaps a little less of a lingerie feel and a little more coverage for modesty.
Thoughtfully directed by Blake Jenkins, the cast is strong and sings well under the guidance of debut Musical Director Christie McGarrity. Choreography is strong, clever and nicely executed, guided and created by Matilda Jenkins.
Fabulous work from the leading ladies, Harriet Kenworthy, a quick talking optimistic Roxie Hart, and Abigail Hill, a mature and cynical Velma Kelly. They are excellent adversaries and carry the show well.
Jayden Adams is a suave Billy Flynn who sings beautifully, Madeleine Batten commands attention as Matron ‘Mama’ Morton, while Calum Blakemore beautifully inhabits Amos Hart, singing superbly and becoming an audience favourite.
The Merry Murderesses did a great job with “He Had It Coming”, although this song was hard to hear at times. Great verve from Hope Shepherd, Kayla Brown, Leila Zaknich, Holly Zaknich and Evangeline Scali - who won sympathy as Hunyak.
Matt Ballantine is strong as Fred Casely, as well as playing the victim in multiple stories of the murderesses. Eloise Andrew makes a very sweet Mary Sunshine, while Kaelan Marinescu is efficient as Sergeant Fogarty. Adela Jung gives us a fiery Go-To-Hell-Kitty. The remaining ensemble work hard throughout.
This is an exceptionally strong production that will please any Musical Theatre fans. Try to get a ticket if you can.
Kimberley Shaw
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