A Christmas Carol

This is a unique version of the classic Dickens tale. David Wenham makes a delightful transformation from the grumbling cantankerous Scrooge into a warm-hearted caring person. The show keeps its focus on the need for those who are able to amass wealth to share their good fortune and the message could not be more apt in the current global political and economic climate. The performance closes with an acknowledgement of the important work of charities such as foodbanks, which are often especially sought out during the Christmas period.

The stage design recreates the bleak vision of London which Dickens depicted in heart wrenching detail, and while the set is illuminated by numerous evocative lanterns, the dark and gloomy nature of the period is well preserved. The costumes are equally sombre yet beautiful in their detail and striking presence. The show does not indulge in a gaudy Christmas atmosphere but cleverly evokes all its characteristic sentiment. The performance is delivered with good humour and impeccable timing as well as a strong resistance to the tendency to give the Christmas period a sugary coating.

There are some genuinely tender exchanges between the characters, especially between Scrooge and Tiny Tim (Theo Watson-Bonnice). These moments are often touching and conveyed with affection and sincerity. The performance is cleverly extended into the entire auditorium in surprising and spectacular fashion and creates a real feel-good atmosphere. The ghosts who visit Scrooge to remind him of his capacity to be compassionate are all played by women, and they all create a formidable ethereal presence. Anthony Harkin is excellent as both Marley and Scrooge’s father and this draws a direct line between the two main figures in Ebenezer’s life that turned him into such a bitter figure. 

The music is performed with delicacy and finesse and employs a range of instruments including the hand bell that create some very heavenly melodies. The graceful combination of singing, dancing and music gives the show a great sense of authenticity and makes it highly accessible. Thorne’s version of A Christmas Carol ushers in the festive season in a sober and considerate manner that is in tune with the times.    

Patricia Di Risio 

Photographer: Jeff Busby