Exit Laughing

Exit Laughing is a hilariously engaging production with a unique blend of humour and heart, exploring themes of friendship, grief, and the meaning of celebrating life, even in the face of loss.

The ensemble cast, led by Phillipa Coleman as Connie, delivers sensational performances that breathe life into the complex relationships at the table. 

Connie, the matriarch of the group, finds herself grappling with the loss of a close friend. She captures a delicate balance of vulnerability and humour, which is tested when her friend decides to borrow said late friend’s ashes for one final bridge night. This decision sparks a whirlwind of chaotic and touching moments.

Julie Mathers shines as Leonie, her spirited flair sharply contrasting with Coleman's subdued energy, bringing a sharp wit and a delightful spark to the proceedings. Mathers' chemistry with Penny Church's Millie is delightful, and together they deliver some of the play's most uproarious lines. Church’s Millie is the comic relief we didn’t know we needed, with her playful banter and comical asides that keep the audience in stitches. Church's portrayal of Millie adds the perfect eccentricity, making her character both unpredictable and endearing. 

Sarah Croake and Luke Baweja, in supporting roles as Rachel and Bobby, round out the ensemble. Baweja provides some comedic moments that punctuate the story in more ways than one.

Annette Van Roden's direction is sharp and effective, allowing the audience to connect with the characters as they navigate a range of emotions. The pacing is brisk, ensuring the antics remain engaging without losing the emotional weight of the characters’ relationships. Van Roden's vision invites the audience to laugh while contemplating the inevitable, transforming a potentially sombre subject into a wildly entertaining experience, with transitions between comedic highs and moments of heartfelt poignancy expertly choreographed. The subtle nuances of the cast's interactions feel organic and relatable. 

The set, designed by Barry French, beautifully supports the story—inviting and reminiscent of a cozy living room where cherished memories and informal gatherings take place. It is both functional and aesthetically pleasing, allowing the cast to seamlessly transition between the card game and various places described in the script. Elements of the set effectively capture the nostalgic charm of weekly bridge nights in the 90s and 00s, with plenty of pop culture references and a musical score that cements the time setting. It feels almost voyeuristic to be an audience member, peeping in on this circle of friends. 

Exit Laughing is not just about mourning a loss; it celebrates life and the unbreakable bonds of friendship. It encourages us to embrace the delightful absurdities of our existence, reminding us that even in our darkest times, we can find joy in each other’s company.

Congratulations, Hunters Hill, on a wonderful show that reminds us of the beauty found in shared experiences, even when faced with the bittersweet reality of life's final card game.

Nicole Smith

Photographer:  Dan Ferris