Reviews

Little Bird

By Nicki Bloom, with songs and music by Cameron Goodall and Quentin Grant. State Theatre Company of SA. Director: Geordie Brookman. 6th - 22nd June, 2014

A fairytale of sorts with a heartbreaking soundtrack and a journey of self discovery, Little Bird is the brave choice made by State Theatre Company of South Australia in their first collaboration with the Adelaide Cabaret Festival.

A story of longing, self examination and society’s labels; young Wren is given life by award winning and celebrated actor Paul Capsis. Visually captivating, it is impossible to take your eyes off Capsis as he morphs from a young child to adult.

Perfect Tripod

Adelaide Cabaret Festival. Festival Theatre, Adelaide. June 9, 2014.

Perfect? If only.

Yon, Scod, and Gatesy have joined forces with Eddie Perfect (hence the title) to present a tribute, largely a cappella, to the music of Australia. The songs are generally delivered in a more 'mature' and less overtly comic manner than the boys from Tripod have been known for in the past, though both the musical arrangements and between-song patter contain their fair share of amusement.

Broken Glass

By Arthur Miller. Grads. Directed by Barry Park. Stirling Theatre, Innaloo, WA. 5-14 June, 2014.

Broken Glass is a less well-known Arthur Miller play, but has a similar feel to his more famous works, if not quite the same impact. Graduate Dramatic Society (Grads) do justice to Arthur Miller's words, in a very solid production at the Stirling Theatre.

Set in New York against the events of Kristallnacht in Germany, Sylvia Gellburg is suddenly and inexplicably paralysed, leading to a mystery with a background of 'guilt, personal tragedy and love'.

The Boat People

By Benedict Hardie. Rock Surfers Theatre. Director: Benedict Hardie. Dramaturg: Phil Spencer. Set Design: Michael Hankin. Sound Designer & Composer: Benny Davis. Lighting Designer: Verity Hampson. Costume Designer: Elizabeth Gadsby. Bondi Pavilion. 29 May-21 June 2014

The Boat People concerns a couple of purported Iranian refugees who long ago arrived in Australia illegally on-board leaky boats. They make it big time with a range of fast food with kooky non-PC names, get rich, get noticed by the media and then cruise into politics. This is a comedy satirising current supposed Anglo-Australian attitudes to refugees who are happy to refer to themselves by the very non-PC term ‘reffos’.

The House On the Lake

By Aiden Fennessy. Black Swan Lab. Directed by Stuart Halusz. State Theatre Centre of WA. Jun 6-22, 2014

In this intriguing psychological thriller by Aiden Fennessy, David Rail, a prominent lawyer wakes in a hospital room with no memory of how he got there. He has been involved in an incident. His doctor, Alice, must work quickly to solve the mystery before David forgets again.

Davi Sings Sinatra: On The Road To Romance

Festival Theatre, Adelaide. Adelaide Cabaret Festival. June 8, 2014

It’s easy to be cynical about the central premise of “Davi Sings Sinatra” – history is filled with musically limited actors who have used their fame in another medium to get what amount to embarrassing vanity projects off the ground (Bruce Willis’ “The Return Of Bruno” or William Shatner’s “The Transformed Man” anybody?).

Brad Checked In

By Paula Noble. Old Fitz Theatre (NSW). June 5 - 21, 2014

When I was single (last century) organising a first date used to be so much more time consuming. There were sweaty palms as you leafed through the white pages looking for her phone number, then the nervous wait as the dial tone rings and rings.

Or trawling at the party or pub for that single one. Have I passed the audition?

These days the newly single have it easier. A flick through an ap on their phone and they can organise a first date in seconds. Or just look up someone on Facebook and like their picture.

LEFT

Written and directed by Tom Davis. Long Answers to Simple Questions and Gasworks Art Park (Vic). 4 – 7 June 2014.

Left is a wonderful circus work that explores community, relationships, loss and recovery while leaping, tumbling, balancing and juggling.

Reading the director’s program notes after the show was interesting. Learning that some performers had never been on stage before, and agreeing that the director’s visual aesthetic had been totally realized - “ to create a show that is just ‘theatre’ enough to retain the magic of a live show, and not so much that you forget you are watching real humans doing real, risky things”.

Melanie: People in the Front Row

Adelaide Cabaret Festival. 7-9 June, 2014 and touring.

Touring Australia for the first time since 1977, Melanie has lost none of her charm. Judging by the rapturous applause she received when she graced the stage, her presence still evokes passion. Within minutes she makes you feel like you are spending an evening with an old friend and this feeling continues as she mixes honest dialogue with a back catalogue of tunes.

Caroline Nin: Songs & Stories of the Paris Lido.

Adelaide Cabaret Festival. Space Theatre. 6-7 June 2014.

A show with such a title promised slightly more than was ultimately delivered. While Caroline Nin's vocal talents are undeniable, and her sense of humour (when it emerges) can be delightful, her narratives are not quite engaging or striking enough for the performance to be considered an all-around brilliant one. Not to mention that, for this writer at least, her persona and repertoire felt slightly closer to that of the German, rather than French, tradition. Nevertheless, Nin's show is a solid bet for an hour well-spent.

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