GATSBY at The Green Light

Immerse yourself in a decadent world of burlesque and adults only circus. Taking the stairs down to the lower level of the Studio at the Opera House, it’s easy to imagine you’re stepping into a subterranean 1920s bar inspired by F. Scott Fitzgerald’s The Great Gatsby. For many audience members it’s a genuinely immersive experience, seated at tables around a sweeping bar, served by lively engaging wait staff, soon to transform into the production’s splendidly choreographed (Lucas Newland), top notch ensemble.

Yes, regular summer audiences have visited many a bar or club in this venue over recent years, but this one is unique, redolent at first glance of Gatsby and the 1920s.

From the outset, the music is very now, while the cabaret, burlesque and circus specialties combine to create an ambience which mixes of present and past. Initially the performances feel like pure entertainment, pure (or not so pure) and simple, though Jay Gatsby hovers in the shadows of another of party.

Ebullient hostess Bettie Bombshell ensures the evening rolls along. Florian Brooks transforms from barman to juggling barman, to juggler extraordinaire. Odette provides rich, soulful vocals. Tommy Egan, with style and elan, relishes tap dancing up a storm. Aerial acts from Oscar Kaufmann, with a flying hatstand, then Miranda Menzies’ feats while dangling by her hair, dazzle. And that's just the start of their talents and surprises. All are amazing, versatile artistes.