Hansard

Hansard is set in 1988, at the end of the week in which Margaret Thatcher's government passed Section 28 of the local government act, which prohibited the promotion of homosexuality by local authorities. The story takes place in the home of conservative member of parliament Robin and his more left-wing wife Diana. The title is based on the name given to parliamentary records.

Set designers Alistair and Karen Woodcock have created a picture-perfect home, a beautiful box set that speaks of domestic bliss, for a couple that live with anything but that. Costumes are by Merri Ford and are well chosen, especially Robin’s stylish blue suit. The show is lit by lighting designer Mark Nicholson with appropriate sound by Cedric Beidatsch. The play should feature video by Nigel Goodwin, but this failed to appear on opening night - a small hiccup that did not destroy the audience’s enjoyment of this beautifully acted, nicely directed play.

In a two hander there is much pressure for excellence from both performers and we were not disappointed. Grant Malcolm, beautifully spoken as Tory MP Robin, brought great depth to a character very unlike the actor’s own. Suzannah Churchman gave a highly nuanced performance as Diana, hiding much pain and anger, gradually brought to the surface during the show. Pace was outstanding and the actors bounced off each other with expertise, keeping the audience highly engaged.

Some of the finest acting that you will see this year, Hansard is a domestic drama that reflects wider world issues. Fine theatre that leaves you thinking.

Kimberley Shaw