High School Musical Jnr

High School Musical Jnr
Book by David Simpatico. Adelaide Youth Theatre. Star Theatres. April 26-28, 2019

It is a good sign when you do not want a performance to end. I experienced this feeling at Adelaide Youth Theatre’s production of High School Musical Jnr on Friday night. A talented bunch of performers were split into two casts and I was fortunate enough to witness the talents of the red cast.

From the opening number there was an explosion of vibrant energy. Director Thomas Phillips has found his niche if this show is anything to go by. Phillips and assistant director Matthew Monti’s direction was flawless.

Attention to characterisation made this musical stand out from the crowd and choreography by Rosanna Commisso was creative and contemporary for a show jam-packed with high energy musical numbers.

Showcasing some incredible talent, Phillips has been spot on in his casting, with chemistry in ample supply between the lead performers. Gemma Dandie was delightful as new student Gabriella. For the most part her vocals were strong and given her tender years, she will only improve. Leading man Nathan Stafford brought life and charisma to his portrayal of high school jock, Troy. In my opinion this young man has a big future. His vocals were strong and faultless and his stage presence was undeniable. He was a perfect leading man.

With so many supporting roles to fill, it was pleasing to see the amount of work that went into building characters. There were no weak links in this group.

Sharpay (Caley Watt), was irritatingly obnoxious, and along with her ‘bestie’ Ryan (Oscar Bridges) produced some fantastic comic moments. Kiara Linke was brilliant in her portrayal of the uptight Ms Darbus; she commanded attention whenever on stage.

Well-rounded performances were also offered up by Ryan Vandermyle (Chad), Holly Abbott (Kelsi), Justin Maddern (Zeke) and Joel Pathius (Coach Bolton).

I want to give a big shout out to the ensemble who filled the stage with polished performances. Their energy was infectious and welcomed by the audience.

Backed by musical director Jesse Buddel and his skilled musicians, this was a well-rounded production. If I had to make one gripe, it is that due to the short season not enough people will see it.

Kerry Cooper

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