Reviews

Malacañang Made Us

Written by Jordan Shea. Directed by Kenneth Moraleda. Queensland Premier’s Drama Award Winner, Presented as part of MELT Festival. Queensland Theatre Co. Bille Brown Theatre. 18 Oct – 1 Nov 2025

There’s something thrilling about witnessing a world premiere that’s already earned its accolades before opening night. In the case of Malacañang Made Us, winner of the Queensland Premier’s Drama Award 2025, the pre-show buzz was justified. What unfolded on the stage of the Bille Brown Theatre was a work of intelligence, heart, and finely tuned theatrical craft.

Rock of Ages

Book by Chris d’Arienzo. Arrangements and Orchestrations by Ethan Popp. Directed by Kylie Ball & Michelle Higgins. Vocal director Tony Woodhouse. Choreographer Lynda Tama. Musical Director Paddy Higgins. North Queensland Opera and Music Theatre, Townsville Civic Theatre, Boundary Street, Townsville. 22 October – 1 November 2025.

IF ONE was to hand out awards in community musical theatre for exuberance, enjoyment and pure hard work, then hands down it would go to this production.

Wittenoom

Written by Mary Ann Butler. Co-Produced by IO Performance and Mudlark, in association with Theatre North. Directed by Chris Jackson and Jane Johnson. Earl Arts Centre, Launceston. 23-26 October, 2025

Sometimes a production is so creatively concise and fascinating in content; so invigorating in performance and so evocatively staged, it’s difficult to know where to start with a review - especially when the subject matter is so important. The inescapable fact is, it would be remiss of me not to extrapolate on the subject matter depicted in the play. 

The incredible truth being that the toxic fallout experienced in the ‘former’ asbestos mining town of Wittenoom - remains to this day, even though the mine was closed in 1966.

4 Minutes 12 Seconds

By James Fritz. Presented by Crying Chair Theatre and Secret House. Directed by Jane Angharad. Flight Path Theatre, Marrickville. 22 October – 1 November 2025

‘The world is a very different place now,’ says David, the father in this brilliant little play that touches down at Flight Path Theatre for a short stay. He’s referring to what has happened to his 17-year-old son Jack and girlfriend Cara after 4 minutes 12 seconds of private images have been broadcast to the world. Over 500,000 people saw them, including Cara’s dangerously infuriated family. How is Jack’s mortified mum Diane going to take it?

Daniel Muller-Schott Performs Tchaikovsky

Sydney Symphony Orchestra. Concert Hall, Sydney Opera House. 22 October, 2025

 

Tchaikovsky is well-known for his emotional Romantic music, his turbulence and melancholy, but his homage to Mozart with Variations on a Rococo Theme expresses his and his generation’s nostalgia for Mozart’s earlier world of refined elegance and restraint. 

Phar Lap: The Electro-Swing Musical

Book, Music and Lyrics by Steven Kramer. Directed by Sheridan Harbridge. Hayes Theatre Co. 17 October - 22 November, 2025

This musical gallops away with laughs galore, a glorious big band sound, spectacular choreography and a heart the size of the big red.

Historical accuracy has been sidelined to make room for the cheapest of gags and horse puns as writer Steven Kramer puts it.

The nags are played by actors.  Joel Granger is delicious as Phar Lap.  Much fun is made of his New Zealand origin. The audience is introduced to the future champion with a lavish kiwi accent who struggles to pick up sandwiches with his hooves.

Shirley Valentine

Written by Willy Russell. Produced by Neil Gooding and Alex Woodward. Directed by Lee Lewis. Theatre Royal Sydney, Oct 22 – 26, then Twelfth Night Theatre Brisbane from Oct 29 - Nov 8, 2025.

Peeling her potatoes for her husband to make him chips and eggs when he gets home from work, Shirley Valentine fantasizes about a holiday to Greece where she will enjoy sex for breakfast, lunch and dinner.

The play, written in 1986, is about a middle-aged woman in the midst of suburban drudgery with a sullen bully husband. Some aspects feel like a period piece but many of the one-liners ring true.

Shirley notes wryly that at the age of 42 all the good things in her life are in the past, but she felt like that when she was in her twenties.

Franck&Ravel

Presented by Queensland Symphony Orchestra. QPAC Concert Hall, Brisbane. 17&18 October, 2025

French was most certainly on the menu for this latest instalment in the Queensland Symphony Orchestra’s 2025 season of eclectic delights. The guest conductor was the widely travelled Lionel Bringuier - a familiar face on many of Europe’s concert platforms and even across the Atlantic with the Los Angeles Philharmonic - whilst at the piano, the charismatic Jean-Efflam Bavouzet joined as guest soloist.

Fly Girl

By Genevieve Hegney and Catherine Moore. Ensemble Theatre, Sydney. Directed by Janine Watson. 17 October – 22 November 2025

From the Departure Lounge of Ansett Airways, Melbourne in the 1970s, with an overhead airport sign telling us exactly where we are at any minute, is the story of how Australia’s first female commercial airline pilot came to be. The heroine of the story and genuine Fly Girl is Deborah Lawrie, besotted with flying from an early age.

Georgy Girl

Book by Patrick Edgeworth. Music and Lyrics - The Seekers (with additional songs by multiple pop and jazz composers). Produced by Encore Theatre Co. Directed by Denise Sam. MDs: Denise Sam and Michael Stocks. Choreography by Trista Little. Princess Theatre Launceston. 16-25 October, 2025.

My most vivid recollection of The Seekers is undoubtedly tied to the runaway hit song "Georgy Girl". It played on a constant loop on the radio for what seemed like years. Long enough for me to form a genuine attachment to the lyrics. Ironically, I was a scrawny child, as opposed to chubby, but I still found the song to be hugely aspirational. 

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