Kovid Rat Kabarett Goes Spiral

This show is very strong conceptually; the idea that the pandemic has transformed society into a collective medical and social experiment that has reduced all members into laboratory rats is a powerful underlying idea. The rat imagery is gradually but emphatically introduced into the show. As the performers recount their experiences of lockdown (and their gradual descent into neurosis or psychosis) the rat imagery becomes louder and stronger. This is present in the set, costuming, movement, gesture, and visual effects; even the musicians are adorned in rat attire creating some truly amusing imagery.

The structure of the show is somewhat more ambivalent as it alternates between skits, recorded video testimonies and cabaret songs. The songs are extremely witty and allude to a variety of pandemic themes and motifs; mutation, depression, obsession, are some of the song titles aptly capturing the absurd societal conditions that resulted from pandemic measures such as lockdown and experimental vaccines. While the songs are clever and are performed with enthusiasm and professionalism, they demand a greater vocal range and capacity. The often-facetious lyrics of the compositions also merit more attention. As a collaborative piece the show draws on many delightful elements of agitprop theatre, but this needs more refinement and focus. 

The characters evoke a range of pandemic stereotypes such as the revered scientist, Rhodent Scholar RatsPutin (Ruth Katerelos) and the racist and very opinionated Karen (Maureen Hartley). The other characters, Randy Andy (Chris Molyneux), Claire (Isabella Gilbert), Adam (Adam Ibbetson), effectively suggest the average person whose psyche is completely pushed to the limits by endless periods of isolation and predominantly mediated social contact. While the performances are exuberant there is, however, little scope for character development. 

The cabaret element is especially enhanced through the presence of the live musicians: Alfie Pleasance (Percussion), Bradley Bruckner (Sax), Ella Filar(keyboard), Martin Zakharov/Bradley Bruckner (Sax), Sally Banks (Violin) all provide an exceptional musical accompaniment that sets the perfect tone for this very satirical and lively show.

Patricia Di Risio