The Lady in the Van

Alan Bennett’s “uplifting, bittersweet comedy” perhaps best known as the film starring Helen Mirren, played to full houses at Old Mill Theatre, presented by Old Mill’s resident company.

Featuring one of the best sets of the year, the autobiographical play’s set features Alan Bennett’s home and garden in Camden, and after some time, the titular van. Designed by David Cotgreave, who also appeared in the show, the set is excellent with the van, which appears in two painted guises one of the most outstanding props of the year. The set featured artwork by Ursula Kotara and a sensitive lighting design by Mark Nicholson. Set between 1974 and 1989, costumes by Merri Ford helped to establish the era.

If you can’t have Helen Mirren, Suzannah Churchman is a darn good alternative and made the role of the eccentric Miss Shepherd her own, treading the line between eccentricity and dignity beautifully and making the role her own. A lovable yet infuriating character, she anchored the show beautifully sharing the story with Peter Neaves and David Cotgreave, displaying excellent teamwork playing different incarnations of playwright Alan Bennett.

The supporting cast were particularly strong. Nigel Goodwin and Sharon Menzies were lovely as neighbours Rufus and Pauline. Julie Holmshaw was believable as Alan’s Mam, and in other roles. Jennifer van den Hoek nicely inhabited the visiting social worker, while Phillip Steele-Young was convincing as the doctor. The cast was well completed by Neale Patterson and Andre Beidatsch.

This warm production charmed its audiences, was well directed, and intelligently acted with excellent production values. It deserved its capacity audiences and positive buzz.

Kimberley Shaw

Photographer: Merri Ford