Reviews

When Stephen Sondheim rewrote a 1934 stage play as his new musical Merrily We Roll Along for the 1400-seat Neil Simon (Alvin) Theatre on Broadway, I’m sure he would not have thought that an outstanding performance of his musical would be 40 years in the future in a small 40-seat black box theatre in Brisbane! But I am sure that, wherever he is, the late, great Mr Sondheim would be nodding his approval at the superb cast in Ad Astra’s production. For a start, the smaller setting suits the New York apartment backdrop.

When it comes to community theatre, the magic often lies in the palpable enthusiasm of the cast and crew. Murder on the Menu, penned by Devon Williamson and staged by Mates Theatre Genesis, is a prime example of this. The show, running from May 17 to 26 at the Donald Simpson Centre, offers a riotous blend of comedy, clever writing, and genuine joy that will leave audiences thoroughly entertained.

Beautiful Burnout is a Scottish play that explores the world of boxing - both the passion and love for the sport as well as its potential for damage. Explored through young boxers including a young Cameron Burns, and from the outside from the perspective of Cameron’s mother, this 90-minute play was performed by half of the current WAAPA Third Year Acting Cohort, and crewed, designed, and built by WAAPA Production and Design Students.

‘Rootless cosmopolitans’ was the snide euphemism for Jews in Stalin’s USSR.  Permanent outsiders, people who don’t belong, can’t be trusted – and yet are also greedy, much too powerful, etc.  Every antisemitic cliché that has justified pogroms, persecution, exclusion, the Holocaust and the simmering suspicion and antisemitism that never goes away – and always threatens to break out.  When I was a kid, ‘Jew’ was an insult.  Such is the subject of Ron Elisha’s play.  That and contemporary ‘cancel