The Marriage of Figaro

The West Australian Opera's The Marriage of Figaro by Mozart, is a lavish gorgeously presented, gloriously sung production that is also really funny and a delight to watch.

This Neil Armfield directed production, teams elaborate, attractive period costuming with comparatively simple settings, using draped fabric, both designed by Dale Ferguson. There is also scattered use of deliberately anachronistic props — a nice touch of theatrical whimsy.

The West Australian Symphony Orchestra provides wonderful accompaniment, under the leadership of Antony Walker.

Performances, are for the most part, simply stunning. James Clayton is a likeable, genuine Figaro, a flawed but fabulous character, beautifully voiced. He is well paired with fiancé Susanna, played in a standout performance by Emma Pearson, in a well-rounded, stunningly sung performance.

Fiona Campbell's breeches role of Cherubino is an excellent performance and she captures the demeanour and vigour of the teenaged boy brilliantly.

Elvira Fatykhova was delightful as sweet Countess Almaviva, and a wonderful contrast to Samuel Dundas' strong portrayal of the dislikable Count.

Excellent performances in supporting roles throughout, but Mozart writes his women well, and these ladies fly. I particularly enjoyed Caitlin Cassidy's unfortunately love-struck Marcellina and Jennifer Barrington's enthusiastic Barbarina.

The West Australian Opera Chorus provided lovely support as peasants, villagers and servants.

The Marriage of Figaro - especially this production - would be a wonderful 'starter opera' for the uninitiated and this is a superb incarnation of this justifiably popular opera.

Kimberley Shaw

Images: Cherubino (Fiona Campbell) and Countess Almaviva (Elvira Fatykhova).Photographer: James Rogers.