MILF The Musical

MILF The Musical is dusted in glitter and packed with comedy, but also brimming with feminist heart. This production of the Australian-made musical knows its tone, trusts its performers, and commits fully to the world it has created. It’s cheeky without being careless, heartfelt without slipping into sentimentality, and consistently confident in the choices it makes.

Under Madison Lee’s direction, the cast works as a genuine ensemble rather than a collection of star turns, even though there are plenty of moments that justify applause mid-number. The tone is unapologetically bold, but the humour is carefully shaped; jokes land not because they shout, but because they are grounded in character, timing, and a shared sense of play. Lee’s choreography reinforces this, favouring clarity, intention, and group storytelling over empty spectacle. She plays to everyone’s strengths, allowing the performers room to shine.

Vocally, the production is anchored by Asabi Goodman as Kate, whose singing is nothing short of magnificent. Her voice carries remarkable power and purity, with clean, resonant tones that cut through the space effortlessly. Goodman’s musical authority is undeniable, and she listens generously in ensemble moments, contributing to a cohesive sound rather than dominating it.

Samantha Sherrin (Cleo) is a triple-threat with impressive control across dance, voice, and acting. Her comic timing is impeccable. Sherrin understands exactly when to lean into a joke and when to let it breathe, delivering a performance that feels intelligent rather than forced. She dances with precision, sings with warmth, and anchors scenes with confidence.

Hannah Conda brings Frankie to life with star-quality and charisma. Visually striking and assured in her movement, Conda’s command of the stage is immediate. Her comedy is sharp and playful, and she works the choreography with confidence, creating a character that feels fully realised and utterly watchable. The performance thrives on personality, connection, and presence.

As Stardust, Jens Radda offers a polished, character-driven performance. Strong facial expressiveness, lovely vocals, and clear physical choices give the role texture. Radda moves comfortably through the choreography while maintaining narrative clarity. It is a performance built on consistency and detail, strengthening the ensemble around them.

Sandro Colarelli’s Jason is a standout. His acting is assured, believable, and nuanced, and he sings with a smooth vocal style. Colarelli takes impressive risks that pay off, particularly in the comedic beats, where his sense of timing and restraint creates genuine laughter. There is an elegance to his movement in the dance numbers, making him another triple threat who is a joy to watch.

Jaya, performing Brad and Masc Ensemble roles, has buckets of charisma and an instinctive understanding of physical comedy. They repeatedly steal the show without disrupting the ensemble balance. Their expressiveness, sharp comedic instincts, and fluid movement make every appearance compelling. Add to that a gorgeous singing voice, and it is clear this is a performer operating with both skill and confidence.

Carla Beard (Banjo/Femme Ensemble) is an expressive and nimble dancer. Beard brings clarity and musicality to the choreography, while her strong stage presence and vocal assurance add depth to group numbers. Her ensemble work is particularly polished, demonstrating excellent spatial awareness and generous collaboration.

Behind the scenes, musical director Jordan Malone deserves significant credit for shaping a score that plays to each performer’s strengths. The musical arrangements support individuality while maintaining cohesion, allowing voices of varying textures to sit comfortably together. The result is a sound that feels rich and balanced.

Written and composed by Sally Perricone, the show’s structure supports its tonal shifts with care. Beneath the glitter and cheek lies a sincere exploration of identity, friendship, and self-acceptance. The creative team understands that comedy lands hardest when it is rooted in truth, and this production never loses sight of that.

MILF The Musical is made with confidence, craft, and a deep respect for both its performers and its audience. It is loud without being overbearing, funny without being cruel, and glamorous without being superficial.

Kitty Goodall

Photography by B’rit Creative