The Odd Couple

Neil Simon’s The Odd Couple premiered in 1965. It was followed by the 1968 film, the 1970s television series, a female adaptation in 1985, and a variety of other spinoffs. Consequently, most of the audience have some knowledge of the story of slovenly sports writer Oscar Madison and his unlikely housemate, the fastidious and neurotic Felix Unger. Old Mill’s The Odd Couple has been playing to sold-out crowds, who are clearly enjoying this interpretation of the play.

Set in the 1980s, in a New York apartment, nicely created by George Boyd, dressed by stage manager Andrea Newton, and transformed mid-show by a team of stage crew, the show is supported by an effective light and sound design by John Woolrych.

Oscar Maddison is played with great depth, in an excellent, high energy performance by Benjamin Small. A wonderfully flawed and very believable characterisation, we come to love this odd-ball slob and are invested in his development throughout the show. Robrecht Herfkens is convincing as uptight hypochondriac Felix Unger, in another well-created performance. The leading men have great rapport and bounce off each other well throughout the show.

There is some good work from the supporting cast. Familiar faces Darren Goodison, as lovely southern cop Murray, and Harry Docherty as the straight-forward Roy, join newcomers Pete Walmsley (Speed) and Martin Bowen (Vinnie), both making impressive debuts, to form a convincing group of ‘poker buddies'. Natalie Kirwan (returning to the stage after a long absence) and Pip Cross (in what I think may be another debut) work well together as the ‘Pigeon Sisters’, Cecily and Gwendolyn.

A solid production that deserves its hearty laughs and capacity audiences.

Kimberley Shaw