Oklahoma!

We think of Oklahoma! as a classic – but in truth, it was totally revolutionary in its time. It marked the first collaboration between Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics). The show was a ‘book musical’ – a Broadway show in which the story, told with genuine emotion and conflict, was just as important as the music. The songs were tailored to each character and plot point, rather than merely being entertaining fluff. Finally, Agnes de Mille’s exciting original choreography combined ballet, square dancing and tap into a new, quintessentially American artform.

The music is as rousing as it ever was, providing a glimpse into an innocent, isolated world where the “farmer and the cowman should be friends”. Lucy Rose Martin, director and choreographer, with fellow choreographer Natalie Cassanti, did a superb job of containing the larger-than-life exuberance of the musical to a small stage while maintaining its spirit. David Valks (Vocal Director) should be commended for the high quality of the performers’ voices. The set benefitted from striking high-tech electronic backgrounds which came alive.

Isabella Wiesenthal’s beautiful voice and sweetness made Laurey into a believable character rather than a stereotype. Noa Fogarty did an excellent job as Curly – his acting skills were matched with his fine voice. Louise Thorpe as Aunt Eller asserted her wisdom amidst the conflict.  Other standouts included Elysium Hipwood as Ado Annie and Ashley Williams as the gravel-voiced Persian peddler. Jake Stubbs as Jud Fry, the brooding villain, had the most gorgeous deep rich voice.  The entire cast did a wonderful job of bringing this small-town world to life, with spectacular dancing, splendid singing and compelling acting. I thoroughly recommend Oklahoma! for a highly enjoyable and entertaining night out.

Judy Neumann

Images: Vargo Studios