Oklahoma!

A massive success when it debuted on Broadway in 1943, Rodgers and Hammerstein’s first musical Oklahoma!, based on Lynn Riggs play Green Grow the Lilacs, has stood the test of time, clocking up many revivals.

Emma Knights Productions is responsible for breathing new life into this classic musical. Knights began her company with the view to giving paid work to local actors and producing unique theatre experiences; she has done just that simply by taking this story and putting it in its natural setting. The beautiful surrounds of Four Oaks Farm at Littlehampton add depth and dimensions not accessible in a theatre. This element of realism adds an authenticity that makes this a very special immersive theatre event.

Director Fiona DeLaine has assembled a vocally talented cast, while her attention to detail provided much comic relief. Her clear understanding of the musical genre is evident.

Mark DeLaine wears the familiar hat of musical director, albeit of the cowboy variety, assembling a polished group of musicians who put their own spin on familiar melodies, all the while drowning out the noises of Mother Nature.

There is some familiar talent amongst the cast, none more so than Andrew Crispe who charms his way through the role of Curly, captivating in his opening number, as his strong voice echoes through the surrounds. Rebecca Raymond plays Laurey, the object of his affection, her feisty characterisation and innocence beautifully highlighted in their duet, “People Will Say We’re in Love”. Will Parker and Ado Annie are played respectively by Charles Smith and Alana Shepherdson, who settled into their roles nicely; their duet “All Er Nothing” was playful.

The strong ensemble cast navigated their surrounds with ease and provided depth to big production numbers. Sound by Timbo of All Pro Audio was superb, miked actors displayed clear vocals, with the quality as good if not better than some theatre audio. Horses were used frequently through the show and added a genuine feel to scenes, as did the other animals in close proximity to the performing space.

If that is not enough to entertain there is a bona-fide country fair to experience before and after the show, complete with rides for the younger folk. May I suggest packing a rug or two as the wind carries a chill, but don’t let this put you off seeing an imaginative and delightful production of this classic country tale.

Kerry Cooper

Photographer: Michael Denholm

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