Othello

In this play the villainy of Iago is a perplexing phenomenon, and the ease with which the Moorish General falls prey to his own weakness of character is indicative of the insecure masculinity that dominates the story. While the male characters are often the focus of this play, this production goes to great lengths to ensure that the female voices are not only strong but also rebellious. Desdemona (Elizabeth Nabben) retains her sweetness and innocence while also proving she is wilful and resistant to her fate. Emilia (Joanna Downing) is strident in her defence of Desdemona and contributes to a powerful and dramatic climax.

Othello (Ray Chong Nee) seems to struggle to find his equilibrium as the charismatic character who yields to his insane jealousy. His presence is sometimes spiritless and other times savage and the contrast is often too pronounced. Iago (Yalin Ozucelik) manipulates the people around him in a ruthless and calculated manner that renders him pathological. He is portrayed as incredibly sociopathic and this is a perfect fit with the way he is driven by envy and with his total lack of remorse. Ozucelik is completely at home in Iago’s skin and frequently revels in the part. The simple and striking staging, combined with the modern setting, allows this performance to highlight aspects of the text that are often neglected or overlooked.

Patricia Di Risio

Image: Ray Chong Nee, Elizabeth Nabben and Huw McKinnon. Photographer: Daniel Boud.